Classics for Beginners discussion
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The Pirate Ghost
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Mar 14, 2012 03:55PM

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I'm trying to decide between reading The Spy Who Came In From the Cold, Dune or The Hound of the Baskervilles.

Sounds like a plan.
Hugh says I have a sexy mind, y'all. ;)"
and we're 88% simila...hmm...okay, I need to rethink my flirt lines. I've just established that I'm only 12% masculine, and 88% lady.
Back to the drawing board!
I think I might go "Poe" next...Edgar Allan PoeThe Dupin Tales: The Murders in the Rue Morgue. At least as the next classic.

The Spy Who Came In From the Cold is a classic spy novel just as Dune is classic sci-fi and Sherlock classic detective. I picked The Spy and now onto Hounds so I can read another related book and take it back to the library.
Hugh - Poe is brilliant have you read his Tell Tale Heart and The Pit and the Pendulum. Or The Masque of Red Death!

I just wanted to read and see for myself.


Got through Monkey and really liked it. Now hope to tackle Steven Erikson's Malazan Book of the Fallen. On Gardens of the Moon now.


Audio book performed by Ariadne Meyers
1*
I admit I was seduced by the cover of this book, just as one of the characters is seduced by the possibility of scoring a rare book find. I should have just said, “No.”
Goodman (a talented writer of short stories) is combining three, or four, plot lines to form this novel, and as a result, none of them is satisfactorily explored. The most interesting story line to me was that of the cookbook collector. But I was kept waiting for ages before this story appears, and then it’s dropped in favor of a different plotline. Comparisons with Jane Austen completely baffle me; Goodman’s dialogue is tortured, while Austen’s sparkles with wit.
Ariadne Meyers did an acceptable job of narrating though the male characters either growled or sounded like a stoned-out hippie.

3.5*
Sunny Cochrane has been in prison for 5 years for shooting (not killing) her husband. She claims it was self-defense. Professor Jackson Jones promised Sunny’s late uncle that he would care for her when she’s released. What happens next is the focus of this story.
This is a great premise for a novel, and I was completely hooked into it from the beginning, but I felt Hellenga kept a bit too much distance between the reader and his characters. I wanted to know more about the WHY of what they did, and I didn’t get any answer to that. Still there were twists in the plot line that I really didn’t expect. I would definitely read another book by Hellenga.

4.5****
This autobiographical novel is the sequel to The Circuit ; it begins where the first book ended left off and focuses on Frankie’s junior high and high school years. It is a story about perseverance and determination, about the cruel realities of poverty, and about the opportunity afforded by a good education.
Jimenez doesn’t call his books memoirs, though they rely heavily on his own experiences. He obviously had to create dialogue that, while true to the essence of the story cannot possibly be accurate; and so he calls his works fiction. The novels are accessible for the middle-school student, but have sufficient depth to be enjoyed by adults.

Book on CD performed by Jayne Entwistle
3.5***
I just love 11-year-old Flavia de Luce, who relies on her keen powers of observation (and a more than a little knowledge of chemistry) to solve yet another murder (or two). Among the happenings and characters she encounters in this outing: a child who died by accidental hanging some years back; the “witch” who lives in the woods; the boy’s mother, deranged by grief; a master puppeteer; a former German POW; and an electrocution!
More than enough to keep any detective busy, but Flavia is certainly up to the task.
Entwistle does a wonderful job performing the book. She is perfect for Flavia, and does a great job voicing the many other characters. Her pacing is brisk, as befits a mystery/thriller.


2**
Greene explores several generations of a family living in rural Appalachia. I wanted to like this book. It has been on my TBR list for a while and I typically like books that explore family dynamics and the individual's need to explore the world beyond their childhood framework. But this book just didn't do it for me.
I thought the storyline was too choppy and confusing. The multiple narrators and shifting time frames were at first intriguing but eventually resulted in my losing focus. I kept waiting for the “story” to really take off, and it never did – at least not for me. I was never riveted by the novel and found it too easy to put it aside to do other things.


Remarkable Creatures – Tracy Chevalier
Book on CD narrated by Charlotte Perry and Susan Lyons
4****
This is a work of historical fiction focusing on two remarkable women who advanced the understanding of natural history with their discoveries. Mary Anning and Elizabeth Philpot had little in common, being separated by age, education level and social class, but they found friendship in their common interest in fossils. The setting is early 1800’s in the seaside village of Lyme Regis, England. The unmarried Philpot sisters have moved to this community from London. Elizabeth fills her time by combing the beach for fossils, and this is how she comes across the Mary Anning, a young girl from a poor working-class family, who has a keen eye for “curies” and helps support her family by selling the fossils she finds.
Both women have limited prospects. Mary’s life is limited by her social class and lack of education. Elizabeth, while educated, has no money or particular social standing, and cannot rely on her looks to attract a suitable husband. I particularly liked how Chevalier explored the role of women in this era.
I also like the way Chevalier develops the unlikely friendship between these two women. I have to admit that I was sometimes irritated with Elizabeth’s superior attitude, but I applauded her for championing Mary’s cause. As for Mary … I just loved her. She showed such intelligence and drive.
The two performers of the audio book do an excellent job of voicing these two very different women – Remarkable Creatures, indeed!



I recommend it for everyone who's interested in Holocaust and concentration camps.



Crime and Punishment

Isn't it? I love it. I hate the way most classics have really awful covers. I think more people would read classics if the covers were more appealing.


One of the most intriguing fantasy novels I've come across (and this being one of my favourite genres). It's engaging, philosophical and brilliantly written. I hope the rest of the series is comparable.
Ellie wrote: "Nicolle wrote: "Pretty cover on that Ellie."
Isn't it? I love it. I hate the way most classics have really awful covers. I think more people would read classics if the covers were more appealing."
I really like most Penguin covers actually. I think publishers are getting the message.

Isn't it? I love it. I hate the way most classics have really awful covers. I think more people would read classics if the covers were more appealing."
I agree, many people do judge books by their covers!

4****
When we first meet Mary Russell, she is a 15-year-old orphan, walking the Sussex Downs near her farm in England. She nearly trips over (now retired) Sherlock Holmes. Mary quickly impresses him with her intelligence and a friendship begins. It isn’t long before there is a “minor” case in the area, which Mary helps solve, and this cements their relationship and increases Holmes’s interest in taking her on formally as his apprentice.
This is a clever and interesting take-off on Sir Arthur Conan Doyle’s works featuring Holmes and Dr Watson. Unlike Watson, Mary is close to Holmes’s equal in deductive reasoning and powers of observation. She is quick witted, intelligent, assertive, a good actress, and physically strong and agile. If I had any complaint with Doyle’s Sherlock it was his superior attitude, but seen through Mary’s eyes, I can more easily tolerate his “all-knowing” persona. It helps that in his “old age” Holmes misses a clue or two which Mary catches and points out to him. Way to go, Mary!
My only regret is that I waited so long to get to this book. I look forward to more of this series.


This one is a little simpler compared to the expansive style of the first book in the trilogy, but that's arguably because the threads of the story are coming together. Still very well written and well worth picking up.

Let us know it turn out :)
I'm more than half way done with The Picture of Dorian Gray and I love it!



2**
Dorris braids a single story told in reverse chronological order, from three unique perspectives. Rayona, her mother Christine, and grandmother Aunt Ida each take a turn relaying events that shape these three generations of Native American women.
It’s a great premise for a literary work. However, I don’t think Dorris succeeds in his execution. Because they are both portrayed as so unfeeling and irresponsible, I had a hard time caring about Christine or Aunt Ida, though I did begin to empathize with Ida in part three. HERE is a story I really want to know more about. But Dorris ends the book abruptly …
I’m left feeling very dissatisfied, and almost as if I wasted my time reading this. It gets 2 stars from me – I can’t think of anyone to whom I’d recommend this book.


Room – Emma Donoghue
Audio book performed by Michal Friedman, Ellen Archer, Suzanne Toren & Robert Petkoff
4****
Five-year-old Jack and his Ma have lived his entire life in Room, held captive by and dependent upon “Old Nick.” Sounds horrific. But to Jack this is normal. He and Ma play games, clean Room, do Phys Ed, watch TV, make toys, and read books. What is inside Room is real. What is outside is not.
In Jack, Donoghue has created a child narrator that equals Scout Finch. He is observant, curious, maddening, creative, innocent, stubborn, scared and brave (“scave”). Things we are all exposed to early on and never question confuse and scare him. Yet he has an amazing empathy and ability to discern others feelings.
If you’re looking for an exploration of the kidnapping and rape, find a different book. Room is about Jack and how he manages to cope given his extremely limited environment during his early life. It’s about learning to explore the world outside of ourselves. It’s about being “scave.”
The audio book is performed by four voice artists. Michal Friedman does an exceptional job of voicing Jack, though I’ll admit I was close to irritation a few times because of that high-pitched child’s voice.

In the class that I'm actually enrolled in, we will soon be starting...
2.) The Great Gatsby

3***
This is a collection of fables, legends and myths from Southern Africa, especially Zimbabwe and Botswana. Regardless of their origin, the lessons taught in these traditional stories are universal in that they explore emotions common to all humankind – greed, envy, pride, ambition, love, kindness, generosity.
I found them interesting, but I got bored. I missed the humor and “lilt of the language’ present in Smith’s #1 Ladies Detective Agency series. I guess I had expected to find more his signature style in his telling of these stories. I’m sure I would be similarly bored by a steady diet of Aesop’s fables; in an oral tradition you would hear only one or two stories at a time, not 30+ in one sitting.

4****
This is perhaps Shakespeare’s darkest play – featuring characters that are flawed and damaged, but which completely captivate us. Our title character – Othello, the Moor - is a highly regarded general. As the play opens he has recently eloped with the lovely Desdemona, to the consternation of her father and others who were hopeful suitors. Egged on by Iago (one of literature’s most reviled villains), they accuse Othello of somehow bewitching Desdemona, but the couple successfully convinces everyone that their love is true and pure.
Iago is a true sociopath. Rules do not apply to him, and duplicity is second nature to him. His oily manner convinces everyone that he has only their own best interests at heart while he plants seeds of doubt everywhere, ensuring that everyone becomes suspicious and disheartened. Iago uses the other characters as his pawns some sort of game he plays for his own benefit. He particularly targets Othello, recognizes the chink in his armor is his relationship with Desdemona, and manages to turn this noble general into a homicidal, emotional wreck.
I do wonder how Othello, Cassio, and Roderigo (among others) can be so easily swayed by Iago. Othello, in particular, should be able to see through this smarmy false friend. I’m completely perplexed by Emilia’s role in this tragedy. How can she abet her husband’s evil plans? Is she really so clueless?
Shakespeare writes a true psychological drama, exploring the darkest human emotion and motivation.
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