THE Group for Authors! discussion
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Importance of promoting yourself
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Sorry, I don't work that way. I'm not about to take money from someone who's already having a tough time. Thank you for your interest, but rather than take serious money from you, I'll simply ask that you buy the Kindle version of Self-Promotion for Authors, read it and see if there are things you've missed. Depending on what you discover, just send me a private message and we can discuss possible alternatives. May your luck change and best wishes for your husband's surgery. Please keep me posted.
Best,
Larry




Have to disagree. Unless you're secretly a top author like Stephen King, Warren Adler or James Patterson, it's unlikely you'll receive any real promotion from a publisher. For decades they've been leaving the authors to their own devices when it comes to publicity. I believe that an author who fails to promote is destined to fail.
As I note in my book: Self-Promotion for Authors, you are the brand. That's borne out by the numerous author success stories I've included. That's my take on the situation.


Harini, I can tell you it doesn't take long to burn out. I dove in because my publisher and publicist told me to - NOT! I was so overwhelmed after 4 months, I pulled back to what I could manage. Since then, I have branched out, but at the pace I feel comfortable with, not anyone's preconceived idea of what an author should do and how one should promote.
As for Facebook, my adult daughter had to help me in setting up a personal page and then a blog - which I hadn't heard of until then. Twitter? Well, she cringed that Mom was on Twitter and then LinkedIn.
Lately I've been posting on my blog about the history of publishing and the parallels between today and the mid to late 1800s. Perhaps the most informative one is titled "Repeating History in Publishing".
http://allonbooks-thekingdomofallon.b...
As for Facebook, my adult daughter had to help me in setting up a personal page and then a blog - which I hadn't heard of until then. Twitter? Well, she cringed that Mom was on Twitter and then LinkedIn.
Lately I've been posting on my blog about the history of publishing and the parallels between today and the mid to late 1800s. Perhaps the most informative one is titled "Repeating History in Publishing".
http://allonbooks-thekingdomofallon.b...

Thanks. And you are not the only-stick-in-the-mud! :) All these I have done kicking-n-screaming, wishing for the old days (about 10 years ago) when publishers took care of their authors and all we had to concern ourselves with is writing!
And yes, the 'dark forces' seem to lurk at every turn, seeking to suck out our creative juices in favor of tension filled days on Twitter, Facebook and Linked in, Oh my. ( A title to a post I wrote on social media.)
And yes, the 'dark forces' seem to lurk at every turn, seeking to suck out our creative juices in favor of tension filled days on Twitter, Facebook and Linked in, Oh my. ( A title to a post I wrote on social media.)

Hi Harini: First, you don't have to have a Facebook or Twitter account to promote yourself. Second, you ask: "But how long can anyone keep this up, and shouldn't we try and change the rules of the game somehow?" To which I must ask: "How strongly do you want to be successful?" There is no shortcut to success and no way to eliminate the need for publicity. I've spent 45 years in various aspects of publishing. Unless you totally rebuild the way people think and get reliable information (Hint: It's NOT the internet for books) you must work within the system. That's my input for whatever it's worth.


If you’re going to get bigger cash advances you have to prove to the publishing world, agents, editors, publishers, distributors, booksellers and book buyers that your manuscripts are worthy. That LOTS of people will buy them. Not hundreds of people or even thousands, but tens of thousands. That’s when publishers will sit up and take notice.
Other arguments I frequently see are: I’ve done the hard stuff, the writing, now it’s the publisher’s turn to print and promote my masterpiece; Even if my first book doesn’t do that well, there’s always a second book and other publishers. Besides, I already have the cash advance.
If you sit back and wait for the publisher to promote your pending masterpiece, it’s virtually guaranteed to go nowhere in sales, perhaps not even breaking 100 copies sold. If that happens, your publisher won’t even consider a second book. After all, if you were a publisher, would you consider a writer on whom you’ve already lost a bundle of money? I doubt I would. Of course, that leads to the third part of the vicious cycle I described, that of no further advances. Excerpt from Self-Promotion for Authors