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Rebecca - Daphne du Maurier
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Chapters 1-7
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theduckthief
(last edited Oct 06, 2008 05:07PM)
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Oct 06, 2008 05:05PM

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I think it's interesting to see how much focus is placed on nature and how menacing the plants are to help contribute to the overall unease with the approach to Manderley. For example, on their approach to the house she mentions the rhododendrons saying there was "nothing but the slaughterhouse red, luscious and fantastic." Mrs. Danvers is referred to as having a skull-like face. Maxim's earliest memories is of the rose gardens, his mother removing the dead heads. There are these little hints at death throughout the beginning of the book.
Also notice how little we know about the 2nd Mrs. de Winter. We don't know her name though Maxim does. We know she's 21 but the rest of her family is deceased. The focus is always on Rebecca. The protagonist is present but almost is pushed into the background, Rebecca isn't present but is thanks to her mysterious death and hold over Maxim and Manderley.
The chapters end on cliffhangers which is interesting and makes me want to keep on reading but du Maurier is somewhat wordy with overly descriptive passages.
Also notice how little we know about the 2nd Mrs. de Winter. We don't know her name though Maxim does. We know she's 21 but the rest of her family is deceased. The focus is always on Rebecca. The protagonist is present but almost is pushed into the background, Rebecca isn't present but is thanks to her mysterious death and hold over Maxim and Manderley.
The chapters end on cliffhangers which is interesting and makes me want to keep on reading but du Maurier is somewhat wordy with overly descriptive passages.


I also noticed that we don't know the narrators name... and how she's made to feel like a bystander- conveying a story that she isn't really a part of. Not really of enough importance to be named. Every time we think she's come to a sense of belonging, the chapter ends on a note about Rebecca's presence resurfacing.
Can't wait to read more. Sorry that I'm lagging behind.
