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In The King's Arms - Author/Reader Discussion
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Hi Sonia, and welcome to TNBBC!
I'd like to start the discussion by asking you this:
I noticed on your blog (http://www.soniataitz.com/blog.htm?po...) that IN THE KING'S ARMS came incredibly close to being published nearly 25 years ago.
Do you mind sharing with us the differences between the process of getting published back then to now?
Did you change/edit/rewrite the story in the time that passed?
I'd like to start the discussion by asking you this:
I noticed on your blog (http://www.soniataitz.com/blog.htm?po...) that IN THE KING'S ARMS came incredibly close to being published nearly 25 years ago.
Do you mind sharing with us the differences between the process of getting published back then to now?
Did you change/edit/rewrite the story in the time that passed?

You indicate this book was written 25 years ago which brings a number of questions to mind:
Did you write this while at Oxford?
Is any of this story autobiographical or those whom crossed your path at Oxford?

I'd like to start the discussion by asking you this:
I noticed on your blog (http://www.soniataitz.com/blog.htm?po...) that IN THE KING'S ARMS came incredib..."
I didn't write this book at Oxford, but rather several years later, when a relationship I'd had with a person at Oxford had fallen through. I felt lonely and sad in New York, and tried to reproduce the world I had left behind.
The story is autobiographical insofar as I am the daughter of Holocaust survivors, and I did go to Oxford. I also fell in love there. But the parents I write about are combinations of people I know, as are all the other characters. And the plot is mostly invented.

I'd like to start the discussion by asking you this:
I noticed on your blog (http://www.soniataitz.com/blog.htm?po...) that IN THE KING'S ARMS came incredib..."
Sorry, my last answer was to the wonderful person who won a copy of IN THE KING'S ARMS! As for your questions, Lori, I think it is even harder nowadays to get published by conventional means. In trying to sell my upcoming memoir, there were fewer publishing houses (they have all eaten each other up in Bigfish-Littlefish fashion, the book economy is up in the air, and an editor who loved my memoir got laid off as budgets were tightened. On the other hand, there is so much more freedom to get voices heard through ebooks, self-publishing, and the like!
As for whether I'd change anything, my son asked me the same question. What he wondered was whether I was as romantic as I once was. The answer is YES. And I wouldn't -- and didn't -- change a word.

It's a source of deep joy to me. Anything you love, that you've put so much into - it's like a harvest of something you planted and tended for a long time. Like a child getting married or graduating, for whom you never lost hope. It's deeply affecting and rich.


As for the memoir, I think I am on the verge of a publication deal, and the book would come out a year from now, with the tentative title, TIME AND AGAIN. My father was watchmaker, and my childhood was filled with the sounds of cuckoos, grandfather clocks and all sorts of watches, ticking and tocking like Gepetto's workshop. My mother played the piano, and she often used a metronome to learn a new piece. So "time" means a lot of things.
I've got another novel which I'd like to bring out, dealing with a success-driven lawyer who gets pregnant accidentally, and falls in love with being a mother. (It's called LEGAL TENDER.)
My newest novel, which I just finished and am now revising, is DOWN UNDER -- it deals with just how a certain creative but chaotic person (very like Mel Gibson) came to be the way he is. What was his childhood like? Who broke his heart? What would heal it? I'm in the revision stage on that one.

Sonia: Following up on Lori's initial question, why did you decide to publish In the King's Arms now (or had it been a continuous or on/off process over the years) and why did you choose to go with McWitty? Did you do any revising of the book from when you initially wrote it or is it pretty much "as is"?



By the way, just before you posted your question, I learned that my memoir is a go -and it will be published by McWitty next October! She also said we couldn't call it TIME AND AGAIN -- that the title was well-known for another book. We might go back to the original title, which was WATCHMAKER'S DAUGHTER.
Congrats Sonia on your new book deal! And how wonderful that you are able to publish with the same publishing house. It certainly helps that you are comfortable with them and that they fell head over heels in love with your book.

Lori wrote: "Congrats Sonia on your new book deal! And how wonderful that you are able to publish with the same publishing house. It certainly helps that you are comfortable with them and that they fell head ov..."
Thanks! Now that IN THE KING'S ARMS is doing so well (thanks in large part to you!), some people suggested that I go back to the "big" publishers. I wasn't interested. I love McWitty, and I'm glad to be doing another book with them.

Sonia: Following up on Lori's initial question, why did you decide to publish In the King's Arms now (or had it been a continuous or on/off process..."
Excellent point Jon not sure why I made that comment with a gender slant. Glad you were a winner too.

I hope your parents had a good life after the horrors of The Holocaust. My Uncle was a survivor but was never really present in life and died fairly young. I will look for WATCHMAKER'S DAUGHTER next October.
TIME AND AGAIN by Jack Finney is a marvelous book that is loved in our household. Hubby and I do not share many books but that is one we fight over.

My parents lived full, productive lives after the Holocaust, but at the same time, their view of the world was forever altered. This affected me in every aspect of my life, from work to love (I write about it in my new online column for Psychology Today).
So glad to know you'll look for WATCHMAKER'S DAUGHTER!

I have yet to pick up my copy of In The King's Arms but very much looking forward to reading it and your memoir.

I have worked in both ways -- the inspired burst of creativity, and the scheduled daily writing. I'll try to explain. Sometimes, I'm between projects, and then I won't write creatively for a while (but I'd still do an article or an essay or blog). But when a strong idea comes, then I do start writing regularly. Then, once I've made headway, I begin each session by going back a little and reviewing what I've written. Doing that sends me into the day's work without having to face the new blank pages, If I'm about to write something deep or difficult, I'll light a scented candle.
I have to add that true inspiration doesn't happen every day, but it is worth waiting for. It's a rich, delicious feeling -- more like worship than work.
Thanks so much for your interest and let me know what you think of In the King's Arms. I may publish a chapter from my upcoming memoir somewhere in the coming year, and will let you know (on my website) if that happens.
All best,
Sonia
Sonia, what words of advice or lessons from past experience would you share with those of our members who are budding authors, or who have attempted to publish in past?

That confidence piece is critical -- you can't write without it. So when taking criticism, whether from professionals or peers, keep in mind that not everyone will like what you are trying to do -- they may have different tastes than yours. Keep writing for the people who understand you. You will know the difference when you hear their criticism. Is it supportive? Have they read a lot, in different styles and genres?
And keep writing. Don't get so "married" to a particular project that you can't move on from it. If something isn't working (for you or your audience), it's sometimes best to take a break and do another project. In my case, I hadn't sold IN THE KING'S ARMS, but instead worked on a new project -- my memoir. And while trying to sell that memoir, I began working on a new novel. I feel that having many things going on helps you take rejection better.
One last bit of advice -- be prepared to be turned down, and wear these rejections as a badge of honor. It means that you've not only written, but you've put yourself out into the world. That takes courage. Pat yourself on the back for having the generous impulse to write and to share. And hope that one day, if you've worked enough and learned enough, your patience will be rewarded. If you can find even a small group of people who like what you do, and are inspired or moved by it -- you've found everything an authentic writer needs.

I wonder, from reading In the King's Arms and interviews with you I've seen online, if you've always been so optimistic and whether you feel you got that trait from your parents. I think hope, optimism and confidence are all closely related.

The more I think about it, the more I realize that my parents were the ones who made me feel I could accomplish a lot in the world, and that they were completely on my side.
There is nothing like the strong love of a parent in helping a person reach their full potential. If my parents were still alive, your comment would make them really proud, as they should be.
As we wrap up our discussion, are there any last minute questions you would like to ask of Sonia?
Sonia, I just want to thank you for taking time to hang with us here on TNBBC, and for being so absolutely fabulous about sharing information on your current AND upcoming novel!! I really had a blast getting to know you and wish you nothing but success!!
Sonia, I just want to thank you for taking time to hang with us here on TNBBC, and for being so absolutely fabulous about sharing information on your current AND upcoming novel!! I really had a blast getting to know you and wish you nothing but success!!

Stay in touch -- I'm at www.soniataitz.com and @soniataitz on Twitter.
Love,
Sonia
She will be talking with us for the rest of the month about her novel. Feel free to ask her questions about the book, her writing habits, her experience with publishing, or any other bookish things that cross your mind.
We are thrilled to have her here!