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Michele
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Dec 06, 2011 07:08PM

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Good points. However, it's important to realise that while these books were both ground-breaking and influential in their time, criticism has moved on. I have an edition of the Frazer work, The Illustrated Golden Bough, which as well as condensing the multi-volume work also has an added commentary placing the study in context.
The Uses of Enchantment: the meaning and importance of fairy tales is also a very exciting book to read, especially in the light of Bettelheim's own distressing wartime experiences, but must also be taken with a pinch of salt. The most obvious point to make is that he squeezes significance out of details which by the nature of folktale can be quite variable (eg, from memory, the seven dwarfs 'represent' seven months of the year when, actually, many variants of the Snow White tale type have numbers of dwarfs/helpers different from the canonical seven).
The same applies to the equally influential The White Goddess which, in a similar way to The Hero with the Thousand Faces tries to over-schematise the creative impulse as well as reduce it to one grand approach that applies to all times and cultures.
Don't get me wrong, I've enjoyed all of these works (though I have to admit I've only dipped into Frazer), but, hey, critical science moves from hypothesis to hypothesis, and that's the way it should be.
And now you've got me started...

I also like Irish Fairy and Folk Tales but WB Yeats and A Dictionary of English Folklore. One of the best encyclopedic dictionaries is Dictionary of Celtic Mythology

I also like Irish Fairy and Folk Tales but WB Yeats and A Dictionary of English Folklore."
I agree about the two Oxford dictionaries you've mentioned, especially the MacKillop one on Celtic mythology, but the English Folklore one is good too.
The Larousse encyclopedia is wonderfully all-encompassing, drawing as it does on world mythology, but as far as I can see for a book that was first published in 1959 it probably needs updating. My edition (probably the same as yours Kernos) has, if my memory serves me right, an introduction from Robert Graves (correct me if I'm wrong!) who was controversial then and would certainly be old hat now.
I don't have the Yeats book but I've a reprint of Lady Gregory's re-tellings of Irish myth. Nowadays any decent book on Irish myth would need to come with a truck-load of notes and source references. Joseph Jacob's Celtic Folk and Fairy Tales is also widely available in 20th-century reprints, and he did include some interesting notes and sources, with references to changes he made in his re-tellings (which was honest of him; the Grimms, earlier in the 19th century, just kept re-writing for subsequent editions the folktales they'd already collected to suit their view of authentic German tradition).

Well, yes. But I'd argue that the very nature of myths and folk/fairy tales means that criticism from ANY era is useful. The nature, meanings, value and interpretations of myths change over time, just like the myths themselves. There's no such thing as the definitive interpretation of Rumpelstiltskin; there are just the different ways people have viewed it over the years, the different meanings people have ascribed to it.
So while The Golden Bough may have (ok, does have) some factual errors, it's still useful as an exemplar of what myths meant to scholars at that time and how scholars were treating them. Since the meaning of these kinds of stories comes primarily from the reader rather than from the story itself, then how people or scholars viewed them then is just as useful/relevant as how they view them now, right?
Or maybe I'm getting too meta-textual LOL!

No, you're quite right, for fiction readers and writers it's the human response that matters rather than just an impersonal rational analysis (though some scholars, like Marina Warner manage to inject a passion into their writing).
And I seem to remember that then current anthropological theories influenced a whole host of fine fiction writers and poets (just don't ask me to quote chapter and verse, but I'm thinking Charles Williams and T S Eliot here, for example, but not Dan Brown).
No, do get metatextual: it's what makes the world go round, right?!

So you don't believe Dan Brown is revealing truths long kept hidden by the Illumaniti?... ;-)

Some questions you must ask yourself:
1. If Dan Brown is revealing truths long kept hidden by the Illuminati, were they worth revealing?
2. If truths are being kept hidden, shouldn't Julian Assange be told?
3. Now that the truths are revealed by Dan Brown, has the world changed for better or worse?
4. If Dan Brown has written about it, Umberto Eco probably got there first, surely?
5. If I don't stop rabbiting on, Dan Brown may think I have been hiding truths worth revealing... What do you think?

If fairy tales are part of the myth/popular culture/literature continuum, then one useful book to consult is The Classic Fairy Tales edited by Maria Tatar (it came out in 1999); this has good discussion, plus a number of variants on the 'classic' fairy tales as well as the odd modern re-telling. Don't confuse it with the similarly-titled The Classic Fairy Tales by the Opies, which gives the originals or most popular versions of many of the most familiar narratives, all with stunning illustrations.
On a more mythological note, anything by Marina Warner can be recommended.


A big problem is handling all of the names and variations in spellings and stories, esp if one had not grown up with the myths. I sometimes wonder if one can develop an intuitive understanding of these without having them be part of your childhood. I have a good friend from Dublin, a linguist in training, whom I asked how she kept all of these people and stories straight. She said, "They always have been part of my life."

For the Matter of Britain, even though we moderns are hugely indebted to Malory, I would always recommend going first to what you call the 'earlier epics': Geoffrey of Monmouth and Chretien de Troyes in particular, as well as the Welsh Arthurian material in The Mabingion. Malory is wonderful, but indirectly responsible for the huge amounts of codswallop we get from TV series like Camelot, Merlin and their ilk, not to mention the scores of Hollywood riffs on A Connecticut Yankee...
Wagner's librettos will be available somewhere on the net, I'm sure, Kernos. I was made aware of Wagner's skills in distilling, editing and dramatising the Northern myths by following the subtitles on TV transmissions of the Ring cycle many years ago. It struck me at the time that they would make good standalone dramas even without the music.
The Finnish myths are something I've never yet got into, mainly because of the spelling and pronunciation difficulties with the names. Sibelius used the Kalevala stories as inspiration for several striking orchestral works, and that may be a way of accessing the material in the first place.




Does he mean things like Superman or LOTR becoming myths?

Does he mean things like Superman or LOTR becom..."
Can't remember, I'd have to look at it again! But, I think, yes.


I'd not to my knowledge come across The Interpretation of Fairy Tales before, but I'll try to look it out.
Was much intrigued with Franz and Emma Jung's The Grail Legend many years ago (lots of archetype discussion and delving into obscure scholarly corners) but recent browsing into it reminded me how much it (and its scholarly sources) has dated, and how much the original medieval texts were filtered to squeeze Jungian insights out of them.
Still, I thought it was fascinating, and it certainly influenced my thinking at the time.


I seem to have repeated myself with my comments on caution and out-of-datedness (Michele quite rightly took me to task on this), but I don't want to come over as a grumpy old killjoy, far from it! Many of these studies were part of a contemporary zeitgeist, and while zeitgeists come and go that's not to say there isn't anything of worth left in the studies.
Jungian archetypes are certainly a striking way of looking at characters in dreams and stories. Their presence can be felt in the catalogues of folklore motifs and tale-types on the one hand, and in Christopher Booker's The Seven Basic Plots (useful but idiosyncratic and very reactionary) on the other, and of course Joseph Campbell (The Hero with a Thousand Faces and others) was heavily influenced by Jungian ideas (as, on the fiction side, was Hermann Hesse).


This title, incidentally, won the Mythopoeic Scholarship Award for General Myth and Fantasy Studies in 2003. http://www.mythsoc.org/awards/ has a list of past recipients of this award which makes interesting reading. Also, if you are into the Inklings, as well as adult and juvenile fantasy writing, past award winners are listed here too.

I am currently reading Song of Achilles and would love to learn more about Greek mythology. If anyone could point me in the direction of a book which would help me learn more about the gods and mythologies generally that would be great :). Thanks!

A good option is to look at the Wikipedia page dealing with this (http://en.wikipedia.org/wiki/List_of_...) and do a little research on what suits your needs: there is a section specifically on Greek myths. Again, be warned, some are less reliable than others, and the list is of necessity very selective (and idiosyncratic: the Percy Jackson series??!!).
As a rule of thumb, the more recent the study, the more reliable it may be, and on this basis I would probably go with the 2008 The Penguin Book of Classical Myths by Jenny March, if I was to start from the beginning. Don't know about any illos, though; I like books with piccies. There is a good Thames & Hudson book I'd recommend on the art of the Greek Myths Art and Myth in Ancient Greece A Handbook by Thomas H. Carpenter, which gives you an authentic view of how the ancients pictured their myths, better than any Disneyfied version.
Finally, have a browse in charity shops around where you are: you might find something adequate to your needs at a fraction of the price!



I am trying to think of an entry for American folklore, and the only thing that comes to mind is the Bre'er Rabbit stories.

Good points, Brenda. I'll have to think broader too.

http://myloc.gov/Exhibitions/books-th...


This looks fascinating, especially with the provision of myth variants, but clearly not one for casual reading.


Yes, Zipes' The Oxford Companion to Fairy Tales is excellent, and I've seen his contributions elsewhere too.

Richmond Hathorn's 1977 GREEK MYTHOLOGY is good, but out of print, and probably couldn't be located except through a library loan.
Not to get off on a rant here, but Barthes' MYTHOLOGIES is not a study of myth. It uses the term "myth," very irresponsibly IMO, to mean what Barthes wants it to mean in his personal Marxist hermeneutic. If you're into Marxist studies of literature and culture, it's a must, but it's got nothing to do with archaic myth.

Katharine Mary Briggs's Encyclopedia of Fairies: Hobgoblins, Brownies, Bogies, & Other Supernatural Creatures
And not must read, but useful for those who like the topics:
J.C. Holt's Robin Hood
G. Ronald Murphy's The Owl, the Raven, and the Dove: The Religious Meaning of the Grimms' Magic Fairy Tales
Books mentioned in this topic
Tolkien On Fairy-stories (other topics)Encyclopedia of Fairies: Hobgoblins, Brownies, Bogies, & Other Supernatural Creatures (other topics)
The Owl, The Raven, and the Dove: The Religious Meaning of the Grimms' Magic Fairy Tales (other topics)
Robin Hood (other topics)
The Oxford Companion to Fairy Tales (other topics)
More...
Authors mentioned in this topic
J.R.R. Tolkien (other topics)Katharine M. Briggs (other topics)
J.C. Holt (other topics)
G. Ronald Murphy (other topics)
Jack D. Zipes (other topics)
More...