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The Hunger Games
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The Hunger Games by Suzanne Collins
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Xdyj
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rated it 4 stars
Jan 15, 2012 02:21PM

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One thing about the entire series. She was TERRIBLE at suspense. You knew exactly what was going to happen like hundreds of pages before it did.
Katniss: I'm still not sure how I feel about her. I feel sorry for her because of the last book... Not saying why, even in spoiler form.
Panem is kinda like our world in that media plays a big part in the government and can influence people to do things they normally wouldn't.
I have not read Battle Royale...
If I was in Hunger Games: I would be dead in a moment. I would be the one who runs to the Cornucopia, grabs a knife and bow and runs for the forest (if there is one). I might survive to the end by hiding, but I'm sure the government would smoke me out eventually. I'd be the far away and trap person who'd just sit back and watch things go the way they do. I'd still probably die in the end, *sigh*. I suck.


If someone could enlighten me differentl..."
I feel the same way. I sped through the first book and although I really enjoyed it, I just couldn't bring myself to start the second book.
I think the author did a great job at capturing the emotional depth of Katniss. She has the aloofness and dissociation that one would have growing up in the shadow of that government.

message 10:
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Jonathan , Reader of the fantastic
(last edited Mar 23, 2012 04:37AM)
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It was pretty dang close to the book, except the whole mockinjay pin part about where she got it from... that was one of the main things I saw...
BESIDES THAT, I thought it was pretty good.
I just didn't like the people they chose for Haymitch or President Snow. I never pictured them like that.




Interesting thought: we talk a lot about how horrific the Romans were for holding Gladiator fights and for killing Christians, Jews and slaves in the arena - it was pretty evil though of course. But the average movie goer will see more carnage in films today than the Romans would have. And we perform pretty barbaric acts and call them decent and civilised things to do. So I guess it shows we are just as bloodthirsty at least on the mental level and have no right to take the moral high-ground.


I don't know... there is still a major difference between fictional violence & real-world ones though, and I don't see a lot of ppl today get excited by actual wars & crimes like those in Syria and Libya as well as campus shootings in America :) Actually I'm not sure if statistics have shown that exposure to fictional violence would make ppl more likely to commit violent acts in real life.
@Roderick: I think that's a major point of the story.


I agree. I think the whole horror movie obsession isn't much better than the people in those societies. It's the socially acceptable blood lust.




If someone could enlighten me differentl..."
I would suggest reading the other books just to see how everything plays out and if other people haven't spoiled events in the second book for then you are in for a lot of suprises and shockers unfortunatley I like the last book the least and found the events and ending a bit rushed and not as good as I'd hoped. But overall the book series is great and after reading the second book (which is in my opinion almost as good as the first)You will want to read the last one to find out what happens.

There were definatley a lot of point the author was trying to make about how the our world was wel on its way to becomming similar to Panem. Im sure the media control thing was a very strong point she was trying to make




was it really small budget? why? i thought hollywood would pour money into 'a hunger games' movie.
i don't know... i think i've seen better book-to-movie adaptations. maybe my expectations were too high. some of my favorite book-to-movie films are LOTR and 'charlotte's web' (the cartoon version), so i was hoping it'd be at least close to that level.

Well it only had a small budget because the company that picked it up was a small company. So they couldn't afford to pump the hundreds of millions into it.

My review of the first book is that it was made of 100% recycled elements. Even if Collins didn't know about Battle Royale as she claims, she should still have been familiar with Ender's Game, The Giver, and 1984. The thing Collins did well was rearrange these familiar elements into a fast-paced, tightly plotted action/adventure story. I appreciate the first book for how fun it was to read.
However, any effort at thematic power that Collins made was destroyed by the silliness of her fictional world. If living in Panem is so terrible, why don't people just jump the fence? As far as I can tell, North America is wide open for resettling. Also, how does this world make any economic sense? It's way more lopsided than France under Louis XVI, and there's not even the threat of war with the Prussians to keep the rabble in check. Also, does Collins really believe that people are willing to starve to death if their obedience is rewarded by an annual display of child murder? Sometimes, writers shoot for "the heart of mankind is dark and selfish" and just land on "silly plot convenience" instead. Collins' dystopia is a slap in the face to all credible dystopia-building that other authors have done before her.
All snobbery aside, nothing can take the popcorn charm away from that first book. Good, cheesy fun.

However, I'm not sure I agree with your comments, Phil. We all know that there have been totalitarian regimes on our own planet that haven't operated too differently from this (East Germany springs to mind). We know that District 12 had an electric fence around it to stop people leaving (even though theirs didn't work) and I'm pretty sure the other districts had them as well. Gale and Katniss talk about leaving, and it's clear others have tried, and many have been caught and paid the penalty. And If I remember correctly, if they aren't caught, their families are made to pay the penalty.
There's also the issue of what's out there. Fear of the unknown is often greater than fear of the known. Is what's beyond the fence better than what's within it? There's also the fact that all these people are raised with the idea of submission, something that can be hard to break, not to mention the peacekeepers who are there to make sure they don't step out of line. Why take the chance of trying to escape when you might be killed or your family tortured by the peacekeepers? Stay, and you might be lucky and survive everything and have a decent life. As President Snow said, hope is a bigger motivator than fear. There is probably, in their minds, more hope of survival within the system than outside it.
Of course, this kind of suppression can only last so long before there's an uprising, which is what we witness in The Hunger Games series.

Indoctrination, brutal oppression, isolation. Not easy to fight a modernized army without modern weapons. Even harder if you believe the supreme leader is akin to a god.
Haven't read this series, but there are historical examples of extreme oppression that dictators have executed successfully. We are indoctrinated with a concept of freedom and dying for freedom is glorified in our culture so this is difficult for Westerners to wrap their minds around I think, but it does happen.

East Germany is a great example. Even after the Great Depression, WWII, a brutal occupation by the Soviet army, financial support and trade with other Eastern Bloc countries, and the fear of WWIII as a propaganda tool, the East German government barely lasted 40 years. And yet Collins wants us to believe that the Capital, with none of these advantages, could maintain control for 75!
North Korea is a much better comparison. They are on track to last 75 years, and they are largely economically self-contained. However, they have the advantages of succeeding two wars, an oppressive Japanese occupation, a state-sponsored religion, long-standing trade and financial support from China and Russia, and the fear of South Korea as a propaganda weapon. This is a much better recipe for domination than Panem's and they still would have starved to death by now if it weren't for foreign aid.
Really, though, my biggest complaint is economic. Katniss' district seems to contain less than 10,000 people. Even if the other districts are larger, Panem altogether couldn't be bigger than 10 million people spread across an area almost as big as the continental US. How does a group that small and diffuse manage to produce the raw materials, run the factories, invent the technology, operate the government, and enforce an oppressive police state? Even North Korea has to import most of their technology- that kind of society just doesn't produce quality engineers.
Normally, I don't make a big deal out of the economics in books, but Collins kind of shoves it in your face. Her economic concept is the whole reason the book is called "The Hunger Games." If you take away her economic justification, then there's no story to tell.

I really enjoyed the Hunger Games, though I have to admit it might be because I was connected to a morphine drip at the time.
In speculating on Panem's military capability and economic structure, we're wandering off into areas Collins didn't bother to explain. (The entire series is light on the, "how did we get here?" exposition.) Most of what we see of the future technology is in the actual staging of the Games itself: silent hovercraft and impressive custom genetic engineering.
Lacking guidance from the author, I suppose were free to make up our own military and economic alternate reality:
I think I agree with those who feel future weapon technology makes future populist revolution improbable. At some point the disparity is too great. Especially when the revolution is geographically isolated. The Capital seems quite willing to nuke a rebellious district (see District 13.)
Phil wrote: "East Germany is a great example...."
Not sure that's a great example. East Germany was a Warsaw Pact satellite nation to the old USSR, and the USSR more or less allowed the revolution on a cost-benefit analysis. Contrast with previous Hungarian (1956) or Czechoslovakian(1968) revolts. If Gorbachev had wanted to expand the effort (and money), I don't think the Red Army would have had military difficulty subduing that revolt (or Lech Walesa's Polish Solidarity.)
Which brings us to the vexing economic questions of Panem...
Lynne wrote: "As for the economic problems, I think we'd need to know more about various aspects of the world before anyone could accurately correlate those aspects. As far as I'm aware, she hasn't gone into huge amounts of detail ..."
Nicely understated. :)
Collins doesn't explain, but it's hard to see how District 11 can supply enough coal to meet the energy needs of the Capital.
We could postulate a post-scarcity economy of robot, nanobot & 3D-printer manufacturing, mining, and farming (and military) that could explain the capital's wealth. The question then would be, why do they need the Districts at all?
In speculating on Panem's military capability and economic structure, we're wandering off into areas Collins didn't bother to explain. (The entire series is light on the, "how did we get here?" exposition.) Most of what we see of the future technology is in the actual staging of the Games itself: silent hovercraft and impressive custom genetic engineering.
Lacking guidance from the author, I suppose were free to make up our own military and economic alternate reality:
I think I agree with those who feel future weapon technology makes future populist revolution improbable. At some point the disparity is too great. Especially when the revolution is geographically isolated. The Capital seems quite willing to nuke a rebellious district (see District 13.)
Phil wrote: "East Germany is a great example...."
Not sure that's a great example. East Germany was a Warsaw Pact satellite nation to the old USSR, and the USSR more or less allowed the revolution on a cost-benefit analysis. Contrast with previous Hungarian (1956) or Czechoslovakian(1968) revolts. If Gorbachev had wanted to expand the effort (and money), I don't think the Red Army would have had military difficulty subduing that revolt (or Lech Walesa's Polish Solidarity.)
Which brings us to the vexing economic questions of Panem...
Lynne wrote: "As for the economic problems, I think we'd need to know more about various aspects of the world before anyone could accurately correlate those aspects. As far as I'm aware, she hasn't gone into huge amounts of detail ..."
Nicely understated. :)
Collins doesn't explain, but it's hard to see how District 11 can supply enough coal to meet the energy needs of the Capital.
We could postulate a post-scarcity economy of robot, nanobot & 3D-printer manufacturing, mining, and farming (and military) that could explain the capital's wealth. The question then would be, why do they need the Districts at all?

Classically, dystopia novels were meant to reflect truths about our contemporary world. They did this by mirroring us or extrapolating from current trends. In the case of Hunger Games, it's pretty clear that nothing was extrapolated, so much as cobbled together for mood and plot convenience. I can enjoy it for the sake of mood and plot, I can't take it seriously beyond that.

Goodreads continues to teach me how weird my taste is. I think all the normal people liked Catching Fire and hated Mockingjay, but for me it was the opposite. I thought Catching Fire was a boring repeat of the first book. I thought the characters were really cardboardy, and CF is all about the characters.
Mockingjay, on the other hand, changes the formula. I was interested in seeing where Collins was going thematically and plot-wise. I was interested in seeing what kind of ending she had in mind for her characters. Ultimately, I thought the ending seemed forced and poorly matched to the rest of the plot, but I appreciate Collins for taking some risks.


Yeah, it had its faults. The whole ending felt awkwardly stapled on. Still, I'm glad she gave me something new to think.

Books mentioned in this topic
Battle Royale (other topics)Ender’s Game (other topics)
The Giver (other topics)
1984 (other topics)
The Hunger Games (other topics)