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Is $0.99 Too Cheap?




Short stories are different. Some are testing grounds, samples to get readers to get acquainted to my style. Why ask people to spend more than a buck for 6 or 10 pages?
Just my two cents.

Of course a true market analyst might tell me that the sales you get from the "hey it's only a buck" will make up the "meh.. how good is it?"

I have yet to publish my book, but when I do I plan to set it's price at 2.99 then run sales where I put it up for .99. "This week, only .99". I do think that .99 price can attract readers to unknown authors if used correctly. Also when I publish the sequel to the book I'm writing now, I will probably drop the first book's price down to .99 to help get more people into the series.

I'd much rather pay $9.00 for an excellent extraordinary story --- one that captivates and inspires me --- than $0.95or $2.95 for one that doesn't. When price takes precedence over superb quality, then what's that say? But, of course, when you can get superb quaity at a cheap price, go for it!

What seems to be the general consensus at this point is that the 99-cent price point has gained a bit of a stigma. I've seen more and more comments from authors advocating higher prices (from 2.99-3.99 for full length novels).
My novella is currently priced at .99 cents. I feel this is a fair value given its 17.5k words and meant to introduce readers to a series. But once I do complete my first novel, I plan on going with the 2.99 price point as that pricing seems to be optimal.



I personally know many published authors that self-pub short stories - even old novels - at 99c. Billie Sue Mosiman has won numerous prizes and has been around by more than 25 years. Now, she's scanning, editing, and formatting her successful novels for the Kindle general public. I know there's a lot of trash out there. I had the misfortune of meeting a self-pub 'writer' putting out short stories anthologies with a basic understanding of his own language (screaming 'EXTREME' every 5 secs doesn't help)and a self-inflated ego as large as the whole of Nevada.
Nonetheless, there are hundred of excellent authors out there, gracing us for less than a 'Starstruck'coffee (that's intentional).
Indie = Trash? .99c = Indie? .99c = Trash?
I don't think so.


I agreed with them, and therefore do not price any of my work at that level.
My solution? My singles (short essays) are priced at $1.00.
Plus, if your work isn't dreck, then it is worth more than .99c.
And that is my 1c contribution to the debate.
PS: If you want to stand out from the crowd of "indie authors". . .
Write BETTER than most, don't force readers to become your editors, and finally, keep writing.

I must confess I had an amicable argument with my friend Billie Sue about the less than a dollar issue. I felt that her masterworks were undervalued and offering them for free (under KDP promo policy) a sacrilege. However, she rebuked that's the price to pay in the wild frontier of self-pub.
My Best

I set my books originally at $4.00 and my short stories at $0.99. My short stories sold quite well and my stories slower. After a lot of fiddling with prices and experimentation, I lowered my prices to $0.99 across the board and have steady sales. I should mention that my books are short at 20k, 30k, 50k.
I offer my short stories for free for weekends through KDP, and the sales are slowly picking up through it.
Sometimes it isn't about how much you charge, but getting your foot in the door. I'm happy that I can sell books that people want to read, and the price I sell them is incidental to me.
I'm probably never going to get rich doing this, and just making a little money on the side is fine for me.

I'd much rather pay $9.00 for an excellent extraordinary story --- one that c..."
I'm never going to pay $9.00 for an ebook, not even for a new Koontz book and he's my favorite author. If I am going to have to spend upwards of $9.00 I'll just get a paper copy. If the author only has ebooks? Oh well there are plenty of other books out there to read.

Really, to me, it's just about getting as many people to read the stuff as possible. If that takes giving some of it away, that's what it takes. I don't have a PR agency or budget behind me, so I have to use the tools available.
Of course being free devalues the work. I spent months writing my first detective novel, but I knew when I started I was going to give it away. So while it irks me, it'll irk me a lot less if people read it. I can always raise the price 18 months from now if it becomes popular.

I don't see the price tag as a negative thing. I've bought many 99c books that were worth a lot more, and I try to offer constructive and informative reviews of the books, encouraging others to buy them if I think they're good.
I have also bought others for more than 99c which weren't worth the money paid...
It comes down to the individual. I'm more likely to give an author I don't know a go at 99c than if their books are $5-6 or more.
I do think that some people do have the mental concept that 99c books are worse than the higher priced ones, but hey, it's not always true!

That said, from an author's perspective I think it's almost foolish to set the price at 99 cents. The difference between that and 2.99 is not going to be huge in terms of sales and the extra cash adds up quickly. Besides you can set the price higher and then offer periodic deals.

Interestingly, that's exactly what I discovered wasn't true. I've had a lot more sales through 0.99 prices than 2.99 prices. Maybe people think my work isn't worth 2.99!

Interestingly, that's exactly what..."
It may be that people who don't have a book in mind just go online and browse by price, so all free and 99 cent books show up earlier than 2.99. Also psychologically 99 cents is so close to free people don't feel like they are spending money. After plopping $100+ on an e-reader they may want to only get free and almost free for a while.

Readers are taking a chance with us down here in the mines, and we have to establish trust with them.
Let them know every time they see your name, they're in for a good time, even if that means you don't make a million overnight (and really, is that why you got into writing?).
When that trust happens...then you can charge $4.00, and readers will know that you're worth it.

Agreed. I feel that my price of 99 cents is making it easier for someone to take a chance on me. I want my book to be read.

$1.00 is as easy to spend as .99c, separates you from the hordes of titles at that price, etc.
Just my .1c worth.

LOL.
I remember reading about marketing research where it was concluded that people only looked at the number to the left of the decimal, and not to the right.
Hence, $0.99 was psychologically a lot cheaper than $1.00.
Personally, I don't buy it (no pun intended). I look at all the numbers when I buy something!
There is an interesting thread at kindleboards about this today that stems from a post from a popular UK writer/blogger. In it, he suggests that one of the risks of offering $.99 or free books is that the reader is just getting the book because it's free, which means they may or may not be the reader for whom the book was written, leading in turn to a negative review.
While I'm not overly concerned by a reader's view, I believe there is some truth to the notion of people doing something just because they can (how many to-read books never get read on this site?) One of the problems I see, as a newly self-published author, is that we are in a great rush to have our books out there, being discovered, being read, being reviewed, liked, etc. that we feel this strong impulse to hurry it along, so we do things we normally wouldn't, like give our hard work away for absolutely no profit. I know that I feel that way now, to my personal—and honestly-speaking—great dissatisfaction, as I did not write the book in just one month, so how can I expect it to become successful in that same amount of time. I can't. It'd be nice if I could, but I can't.
I have to believe that if the writing is good, people will find it—I know, I know, before anyone starts. Plenty of great books go unread (and we all think our work is to die for). Even so, it's difficult for me to abandon my work and this book to an audience (and yes, a price) I had never intended. True, there are those who will pick it up by mistake and hate it. There are those who will pick it up by mistake and not hate it. And then there are those who will pick it up and like it because they and I are a lot alike. We enjoy the same stories, we read the same authors, we share many of life's same passions. Those are the ones my marketing needs to reach. That I believe is the real challenge: How to do that in a way that does not stand it apart from the discipline and years of effort that went in to writing it. I don't know the answer, but as a writer I have to believe it comes in words, not in currency signs.
While I'm not overly concerned by a reader's view, I believe there is some truth to the notion of people doing something just because they can (how many to-read books never get read on this site?) One of the problems I see, as a newly self-published author, is that we are in a great rush to have our books out there, being discovered, being read, being reviewed, liked, etc. that we feel this strong impulse to hurry it along, so we do things we normally wouldn't, like give our hard work away for absolutely no profit. I know that I feel that way now, to my personal—and honestly-speaking—great dissatisfaction, as I did not write the book in just one month, so how can I expect it to become successful in that same amount of time. I can't. It'd be nice if I could, but I can't.
I have to believe that if the writing is good, people will find it—I know, I know, before anyone starts. Plenty of great books go unread (and we all think our work is to die for). Even so, it's difficult for me to abandon my work and this book to an audience (and yes, a price) I had never intended. True, there are those who will pick it up by mistake and hate it. There are those who will pick it up by mistake and not hate it. And then there are those who will pick it up and like it because they and I are a lot alike. We enjoy the same stories, we read the same authors, we share many of life's same passions. Those are the ones my marketing needs to reach. That I believe is the real challenge: How to do that in a way that does not stand it apart from the discipline and years of effort that went in to writing it. I don't know the answer, but as a writer I have to believe it comes in words, not in currency signs.

Plus, with the abundance of free and 99 cent e-books people still need to be selective since their reading time is limited. I personally have never given less than 3 stars to a free/99 cent e-book because I am extremely fussy in picking them. So once I get one I am guaranteed to enjoy it at least a little.






http://www.goodreads.com/book/show/13...
I took a peek at this reviewer's bookshelf and found that she almost always reads books by traditional publishers.
I must admit it was tempting to leave it at .99, but my husband wouldn't let me; he said I worked too hard to sell so cheap.

Medusa: A Caitlin McHugh Mystery
Cipher

Ebooks in general, unless they are non-fiction topics with specialized information, should not be priced higher than $9.99, and you best make sure your work shines like a diamond at that level.
I do agree that selling shorts or chapters for $1.00 is a good strategy, but stay away from the freebies . . .





I found it very interesting. I think that it also comes down to the quality of the book and how well the author promotes it. A lot of it is price, yes, but a lot is also effort. If I sell a book for $2.99 and do nothing to promote it, chances are good it won't sell. And imagine that it's poor quality. People will give it negative reviews and then it's all over.


I'm coming into this discussion a little late and haven't really posted in this group much before so I apologize if I sound like a fly-by poster mouthing off or something.
Thanks for posting about Mark's excellent blog, Kevin, I was getting a bit dismayed reading this thread (I get the threads via email and read once a week but haven't made time to come by and actually TALK to anyone here until now--just got my first book released so I can hopefully talk more. Look out! haha)
I saw Mark's excellent slideshare when he first tweeted the link to the slideshare a few weeks ago. You can get all of his Smashwords Slideshare presentations here, by the way:
http://www.slideshare.net/Smashwords/presentations
I'm a little concerned that Rachel's immediate reaction (and in fact, the sentiment on this thread prior to the posting of this slideshare) was to think the $2.99 price is a good place to be. It was identified as good for a VERY specific kind of book--two kinds actually:
1) non-fiction
2) shorter novels in the 60,000 to 80,000 word range
I happen to write novels in excess of the 100,000 word length (typically more like 140k-160k) and these are regarded as "long novels" for which the "sweet spot" is $5.99 - as documented in the slide share. I was a little surprised it wasn't higher (I would have guessed $7.99 since the traditional publishers keep pushing their drivel about $9.99 to $12.99 prices being remotely appropriate for an ebook).
I agree that $7.99 is a "high" price compared to a 99c book but TBH, I'm not writing 99c books. That is, I think the 99c eBook is the equivalent of the 10c pulp novels of the last century. Amazing, isn't it, that a 80-100 years ago this exact debate was waging when these new fangled things called pulp fiction came out? I think it's wild...but I digress.
If $5.99 is the sweet spot for books of 100,000 or more words, doesn't it seem a little disproportionate for novels that are "under 100,000" by only 20k words (i.e., an 80,000 word novel) are priced at HALF that? It seems like the 20,000 to 40,000 word difference ought not to cost an author such a huge disparity in pricing.
I hadn't seen the slideshare when I released my first book (a VERY long - over 200k words!! -- SciFi novel under a pen name) so I priced it at $7.99 on Smashwords. Actually, I had it higher on Amazon ($8.99) because Amazon pays less and charges us authors delivery costs when people download books via Whispernet (free to customers; the AUTHORS pay the "delivery fees" or didn't anyone here read the fine print on that?) I still make more at Smashwords for a dollar less cover price.
I need to give the book at least a month or 6 weeks to establish before I start messing around with the prices but I just caved to Twitter and Facebook pressure to lower the Amazon price to match the Smashwords price. I'm positive I'll never go lower than $5.99 and might not go below $6.99 - or at least not until after the annual July blowout sale Smashwords holds every July.
I think 99c pulp fiction is fine but it sets an expectation for all eBooks to be cheap cheap cheap. I'm sorry but I invested 8 grueling months of editing, employed 3 people to review and proofread, engaged a professional graphic artist and have spent hundreds of labor hours setting up promotion of my book. It's worth WAY more than 99c.
Now my current project, a non-fiction piece (I'm editing blog posts into coherency to sell as an eBook) I'll sell at $2.99, no problem, but that's the sweet spot for non-fiction....at least according to Mark. He has over 100,000 books from which to glean statistical data so I'll take his slideshare as good data. For now.
Here's to hoping one day Amazon shares actual data of selling patterns with its Authors. Then again, don't hold your breath! LOL
-sry
Sarah, The Webbiegrrl Writer
@webbiegrrl

The pattern I see with my sales in general is that, one day my first book will have sales, then a few days later, sales on the other books pick up. I tend to think that means that people have enjoyed the first book, and come back for the rest. So, by offering the first book at a 99cent temporary price every once in a while, I think is helpful for my overall sales.

I don't like the cheap-as-chips approach, unless for flyaway writing. As you say, we have costs; mine were research books, to the tune of thousands.
And no, I didn't read the fine print on Whispernet delivery (so how much?).

My rationale for loss leaders, however, is along the lines of giving it away free rather than devaluing it by pricing it "low." If it's offered free "for a limited time" (or once I have 5 or 6 books out, I'll offer one free all the time) then it's seen as a valuable product you are GIFTING as an introductory offer--introductory to my writing, not to my pricing. Setting a low price sets a psychological barrier to ever having anything worth more than 99c. It's hard to offer one for 99c and then see others at $5.99 or more. Of course, if your "expensive" books are still as low as $2.99 then you're okay. Both price points are "cheap" in the minds of customers. That is, people won't balk at going from 99c to $2.99.
It's just a problem when your loss leader tries to lead into a substantially priced product line. Going from "cheap" to even "average" feels "expensive" to people once you set that bar as low as 99c.
Or so the marketing industry has proven for the last 75 years. Maybe eBooks will change the way people buy for the first time in history (not likely)
-sry
@webbiegrrl

Bryn, answering in reverse, my 230k word book is being assessed at 12c delivery costs by KDP.
If your books are fiction, you can definitely get $5 but make it $4.99 for the psychological impact of the -99 ending (plus Apple requires it and you want iTunes distribution don't you?) Both iTunes and Nook books can and should be higher priced. This is one of the reasons why so many authors do partial distributions with Smashwords and part of them on their own, direct. You can still choose to have Meatgrinder generall ALL formats. Opting out of the distribution channel is totally separate from what formats you allow Smashwords to sell for you. When the clientele is richer, charge more. Whatever the market will bear :)
You also have to consider your genre. My long books are SciFi and those fans are more willing to pay $5.99 to $7.99 for an eBook. My 120k-140k books are Romantic Suspense and those readers are used to 80,000 word books - and prefer them cheap. The romance readers are voracious, more so than SF/F fans (who are not slackers but romance readers are seriously voracious!!) so one has to consider volume versus price, also. I don't know what I'll charge for my Romantic Suspense but probably in the $3.99 to $4.99 range. Definitely never lower than $2.99 - I'll give it away free (see my post above referencing "loss leader" logic)
Sometimes you just have to play with the price to find out what your market will bear. I'm broke and counting on selling books to make an extra income. I can't afford to sell them too cheap or I won't be able to afford to keep writing. I work part time to allow myself time to write. The books have to at least support themselves, if not me! :)
-sry
@webbiegrrl

I see your truths about genre. Your genres are amongst the most fortunate, and I hope you sell wildly (I'm curious about your SF but I can't ask for your other ID).
Didn't know any of that about different clienteles for Nook and Apple; I'll think that through, too. You're very savvy in these parts.
Me too: went part-time to write, hope the books may come to support themselves; the thought of them supporting me was a past fantasy...
$5 - Smashwords, who distributes mine, changes the price to suit Apple. But I don't do the 99c, because... I feel that indie gives us an opportunity to get away from old 'market' thought, the bad aspects. I have no wish to try to trick or muck about with my precious (few) purchasers. That's the thought behind that, anyhow.


$5 - Smashwords, who distributes mine, changes the price to suit Apple. But I don't do the 99c, because... I feel that indie gives us an opportunity to get away from old 'market' thought, the bad aspects. I have no wish to try to trick or muck about with my precious (few) purchasers. That's the thought behind that, anyhow.
The $x.99 isn't a Smashwords "trick" nor is it "old market thought" so much as it is a reality about human psychology. It's scientific fact--being used to the advantage of people who sell things--that people respond to "savings" and "getting a deal." This means, in general, people would prefer to pay $4.99 than they would to cough up one more cent to pay $5.00 (even). I'm not coming up with these ideas; but this "ain't my first rodeo" as they say. That "old market thought" as you're calling it, Bryn, is using scientifically proven human behavior instead of working against it.
Jack wrote: "I write High Fantasy and I just raised the price of my book to 2.99 to test a lot of these theories. I hope it works because the 99 cent price got us on the best seller lists and I don't want to loose that traction. The traction should be easy enough to get back if it doesn't work, but it would be nice if it goes well since the income supports two authors :-)"
I hope it works out for you, Jack, just don't raise your expectations too high based exclusively on a price change--especially not a raising of the price! The price is not the only factor making your book sell--or causing it to fail to sell. There's cover art, description, editorial reviews and of course, reader reviews (if you have; the hardest thing to get is the reader reviews but that's why they are such a powerful sales tool). If you've got an established readership with established reader reviews, then you probably have a working cover design and effective sales copy in your book description. It is definitely possible (not likely but possible) that your cover design and sales copy / blurb were not effective but that your 99c price overrode those because 99c is, to some people, "not a risk."
Raising the price after having established a book's market position isn't a particularly smart move. I mean, established readership already "expected" your book to be a 99c book so getting them to change their mind is a heck of a lot harder than planting a different idea in there from the start. I'm not saying don't raise the price; I'm saying don't expect that to work out in a positive way. High Fantasy is definitely a good genre for higher prices--in fact, if your book's over 100,000 words, your genre market will bear as much as mine in SciFi - up to $5.99 for the sweet spot. If your book's 100k words or less, though, keep it to $2.99 as that's the sweet spot for "shorter" books (and under 100k is considered a shorter book).
Launching the book at $2.99 would have been a totally different story (excuse the pun). That's one of the key Immutable Laws of Marketing (Law 3: Law of the Mind). It ties directly into Law 4: Law of Perception. The reality of a situation isn't anywhere near as important or as relevant as is the customer's perception. That may be unfair or seem like a battle you cannot possibly win, but there is a way to win that battle for the mind. It's called Positioning--and that's the name of THE book by Al Ries and Jack Trout. That is, these guys wrote THE book and that's it. Position: the Battle for the Mind and their books on Marketing Laws and Branding are ALL still at the top of the Amazon Best Seller's lists. If you've never read anything by these guys, read them now.
Or wait for me to finish editing my blog series because I'm making the 22 Immutable Laws of Marketing (for Indie Authors) series into an eBook (which I'll sell for $2.99 *smile*) I'm up to Law 3 and working on the edits today and tomorrow. Hopefully have it done next week. It's coming out much more readable, much less "rambling." Yes, I know I ramble. It's a blog, for gossake. I'm allowed to ramble on a blog. Not so in the eBook form. Then again, the blogs are all free :)
-sry
@webbiegrrl

Did you enter the book into the restrictive / exclusive Amazon KDP Select program or something? If so, then I know you were required to remove the book from every other site online (legally prohibited from selling through anyone BUT Amazon is the #1 requirement of KDP Select inclusion). If your 3 mos are up (like a sentencing) be sure to get your book listed again. If you're still in the 3-month KDP Select period, nothing you do to the price will matter except making good use of the limited opportunities Amazon gives you to make the book FREE. You should use/continue to use those to build readership but you can't do anything to market your book worldwide when you only sell in one location (Amazon). Wait until your 3-mo Select sentence is up and then redistribute.
I know of a lot of Indies who bought into Amazon's sales pitch about getting all kinds of great exposure and who did manage to give away a lot of free books but unless you also have 5 or 6 other titles on sale FOR PAY, I haven't heard of any Indies making money by giving their books away free through Amazon KDP Select. Once the freebies are used up, you're basically SOL until you're allowed to relist it in bookstores everywhere else. Some of those established audiences don't return either, so be aware you might have to start from scratch. AGAIN.
-sry
@webbiegrrl
Books mentioned in this topic
Extinction Point (other topics)Medusa: A Caitlin McHugh Mystery (other topics)
Cipher (other topics)
Quarantine (other topics)
Blurry (other topics)
More...
Would $0.99 change your mind about a book? Is $2.99 too high or is it like baby bear's porridge?
Juuuuuuust right.