Darkened Fates discussion
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Victor, King's Blade
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Feb 07, 2009 03:24PM

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i would like to actually watch the series
but stupid youtube doesnt even have the FIRST EPISODE
gah
anyway sry victor -.-'
what series are you guys talking about?
So...Gilgamesh=good, Shirou=bad???///

Of course, that's if enough people know the book. But if you don't you should go to the library and read it because it's so awesome I recommend it to everyone.

Tell me more. I'd like to read it.

Um, first of all it's by Patrick Rothfuss.
Second... well, I don't know. Whenever I try to describe it to convince someone to read it they usually go, "Oh, that's nice." And never think about it again.
Well, this book deserves more than that.
What does convince people to read it is telling them to just read the introduction - or prologue or whatever it's called. By the end of it you will be hooked. Garenteed.
It starts out, "There was silence in the Waystone inn, and it was a silence of three parts."
I love this because it doesn't just say that it was quiet or even that it was silence. The silence was there.
It continues on past that though, to describe, what, exactly, silence is.
... anyway I'm blabbing. It's an awesome book. Fantasy. Science fiction? (I'm not entierly sure about that one.) And it's unlike any other of it's kind.
Sometime last year, in a thread on the NaNoWriMo forums, a user commented that they don’t mind cliches if they’re done well and in a fresh way.
The “in a fresh way” part is obviously important here, but something about stumbling into a fantasy world that you feel like you know is kind of comforting. You’re already aware of many of its characteristics, rules and limitations - any small variations of the generic setting can be easily digested as you go along. If a wizard or elf or goblin or troll comes along, you immediately have some idea of what that might mean.
(These “preexpectations” all began with Tolkien’s Middle Earth, I suppose, and were reinforced by the numerous fantasy epics released since then.)
I mention all this because I think it’s one of the main reasons I like The Name of the Wind so much. It has a lot of the things that are unsurprising in a high fantasy novel - largely stereotypical inns and innkeepers, a troupe of traveling performers, a school of magic, an ancient evil - but it manages to remain original at the same time.
The first thing that sets it apart is the writing itself. It’s done in first-person perspective (except for a few interludes scattered throughout), something that’s rare in a high fantasy novel.
Also, the writing tequnique, which is what I was trying to blab about for so long here.
Anyway, I should probably stop blabing on about this in this little box.
Yea... Tell me if you still want to know more and I haven't completely overwhelmed you. If I have, I'm terribly sorry. Pretend I haven't said anything and ask someone else about the book, because it would be a tragedy for you to not read it just because I don't blab eloquently.
I'll look for it. Jump the Cracks is good. I cried.
It is like a big writing contest. You compete and see who can write the best. It is like writing a book. I think this is right, right Victor?
Kinda, actually, it's more like you're competing against yourself. And yes, they have one every year.
How do you compete with yourself?



how do you pronounce hiei? like, hee? or hi? sighz.....*feeling incompetent....
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