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Barnaby Rudge
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Barnaby Rudge - Chapters 1-5
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Zulfiya
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Jul 29, 2012 09:10PM

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I definitely experienced certain trepidations when I started reading the novel because it is not only a novel I have not read. It is also the novel that has existed merely as a title in my head. So bear with me if I stumble and struggle through the discussion of the book.
Well, my edition starts with the list of characters, and I read first three or four names and understood that the list contains confusing spoilers, so I immediately moved on to the next chapter. It is somewhat an unusual chapter. As far as I know, Dickens usually plunges us into the action (Oliver Twist, Nicholas Nickleby, Old Curiosity Shop). This chapter, on the contrary, is very atmospheric and descriptive. It starts with the wonderful description of the Maypole – it is both haunting and ironic at the same time. So what do you think about this description? Why is this chapter the longest so far? Do you think Dickens is convincing enough when he portrays the gloomy image of the stranger?
It is also interesting to see the Gothic elements in the story (the Haredale’s murder mystery) and how the events start twisting around this sad and quite spooky story.
I am quite befuddled to find out that the main character of the story so far is Gabriel Varden, a locksmith with the big heart, a lovely daughter, and an estranged wife. Personally, I think it will be interesting to observe how Dickens will deal with the family conflict.
And surely the author’s genius is up and sparkling again in his portrait/introduction of Simon Tappertit (what a name!) His description is my favorite part of the book at this stage. Dickens is teasing and laughing at his character – I can hear his roaring laughter every time I re-read the passage. His satirical talent is at his best, and it dazzles with humor. “He was in years just twenty, in his looks much older, and in conceit at least two hundred” Bravo, Dickens! This is the most inventive chastity of human vanity!
And we also meet poor and feeble-minded Barnaby. And look how supportive Mr. Varden is. He says, ‘To my mind, he grows wiser every day’, and he keeps reiterating the same idea several times.
Finally, chapter 5 ends with an emotional cliff-hanger. And the mysterious and evil stranger is haunting us in the final lines of this chapter. What could possibly connect him and Mrs. Barnaby? And why was she scared to death? So many dangling and unanswered questions. Please, share your ideas.
Overall, these chapters have exceeded my expectations. I am discovering a new side of Dickens. It is a murder mystery, a story of an emotional struggle for Mrs. Rudge, and, in addition, a certain intangible feeling of darkness permeates these chapters. So many reasons to keep reading.

Zulfiya, with regards to how the beginning of the book feels, I agree with you completely. To me it did not really feel like a Dickens .... but this makes it also more interesting. In all of the previous novels we got introduced to the main character very quickly, but here the character giving the novel its name is only showing up very briefly in those first chapters and as you said the description of a building and area is in the foreground.
Besides the description of the Maypole and the stranger, the Haredale murder mystery was in my opinion the major focus of the first chapter and maybe the indication of the topic the whole novel could surround somehow. I was almost wondering whether the stranger was the murdered Haredale, but assuming that the corpse was properly identifiable, this might be a stupid thought, though it could explain Mrs. Rudge's concern, maybe he is the possible murderer or her husband, who - now that I am rereading that paragraph was actually not identifiable by his corpse, but only by his clothes, a watch and a ring ???.... (I think here the Sherlock Holmes readings might lead my thoughts in certain directions automatically.)
In most of Dickens's novels we have read so far the evil characters were much more developed than the good ones, even than the actual main characters.
So my question is at this point a little what made him choose Barnaby Rudge to become the novel's title. What we learn of him is only that he is somehow mentally impaired and that his father had been murdered before he was even born. However, we will probably have to move on and see how it all develops to answer this question. It was definitely nice to learn about Mr. Varden's opinion of Barnaby. Maybe he will be a really evolving main character unlike some of the other we have encountered in the previous novels.
Simon Tappertit and his description are just hilarious and I also liked the indirect description of him through Mr. Varden's thoughts.
I do not know much about this novel, so am a real novice here, but I know that it focuses on the times of the Gordon riots, which was an anti-Catholic movement around 1780.
At least one allusion to this is Mrs. Varden's request of the Protestant Manual - according to my annotations "The Protestant Manual of Christian Devotions, composed of instructions, offices, and forms of prayer, in a plain, rational and scriptural method, etc.".
I thought I had found another one in the description of the parish clerk Solomon, but I could not find that anymore.
As you said, Zulfiya, it is a new side of Dickens (I must admit I have read "A Tale of Two Cities" - so to read a novel by Dickens of the genre "historical fiction" is not completely new to me, but after our previous reads, it is definitely a new and also exciting side, esp. with the murder mystery as a focal topic).
I am already looking forward to the next chapters. We have briefly met a lot of characters (John and Joe Willet, Solomon Daisy, Gabriel Varden with wife and daughter, the Haredales, the Rudges, the mysterious stranger) directly or indirectly and it will be interesting to see whether they stay in the novel (unlike Fred in The Old Curiosity Shop). ;-)


At the end of the Old Curiosity Shop it was quite enlightening to get that information, when we were discussing the posssible parents of the Marchioness.

I have the Barnes & Noble Classics edition. They don't have any type of Editor's Preface, but they do interestingly have a preface from Dickens about his real life falcons as background to the falcons in the book. It's rather amusing.

You might want to talk to Silver about archiving the threads that Christopher set up on The Old Curiosity Shop.
Because he is a moderator, his threads somehow are staying at the top rather than moving down because no one is posting in them.
So the only Barnaby Rudge thread that will show on the home page will be the current one. That will be a pain for people who get behind. Plus, we aren't doing the Old Curiosity Shop anymore so it will be confusing for new people.
Unfortunately, Christopher doesn't come on very much anymore so if you wait for him to show up again to resolve the issue, you might be waiting quite some time. ;) But Silver s/b/a to archive them.

You might want to talk to Silver about archiving the threads that Christopher set up on The Old Curiosity Shop.
Because he is a moderator, his threads some..."
...and somehow Barnaby Rudge is not showing under "currently reading"... :-(
Is that also something only a moderator can change?

Is that also something only a moderator can change?"
I looked and that appears to be the case. Which makes sense.
Poor Zulfiya - giving her two tasks to do on day one. :-)

As far as the 'Current Reading' status is concerned, BR was there, but then Faust has won the nomination, and the project read has been demoted:-)


It was really interesting...and quite amusing. But it does seem out of place. We'll have to see as we move through the book whether or not it has anything to do with the narrative. Or Dickens just felt like sharing his ravens stories with us. ;)

I read some background articles. It does have some repercussions for the world literature. And I am sure the raven will still feature in the novel. As far as I know, the novel was published not in installments but as a whole book, so Dickens knew that ravens will be important. Or at least I hope so.:-)

Interesting, I was actually wondering what you were all talking about, as my preface, which is from 1841, did not mention a raven, but in the back of my edition I have just found an Appendix III: Preface to the Cheap Edition (1849), which mentions a raven. So I will read that, too.

Barnaby Rudge was actually published first in Dickens's weekly journal "Master Humphrey's Clock, but I do not know whether it was already completely finished as a novel when being published there. I will try to investigate that a little.

Oops! Sorry for misleading you.

As far as the 'Current Reading' status is concerned, BR was th..."
Thanks, Zulfiya. It is a little bit of a pity that you have to take care of all the administrative work, too, due to the moderators not being involved that much lately. It seems quite time-consuming. So thanks again for doing all of this.

no problem at all ... at least I found it and do not have to think that I am too stupid to find a raven's story in 1,5 pages. :-) and it shows the differences in editions :-)
The tone of this section is definitely gothic. If there were cars instead of carriages, it would be "noir" - most scenes are at night and in storm. Dickens even talks about how weather mirrors our feelings.
It seemed at the beginning that we were way out in the country but it turns out we're not that far from London. Still in a very Dickensian way there are a limited number of characters who cross each others' paths.
It will be interesting to see what Dickens does with Barnaby, the "feeble-mnded" character, another example of the weird as we saw in Old Curiosity Shop. Gabriel is a bit like Mr Pickwick or one of the kindly old gents in the other Dickens works we've read, basically kind and generous but enjoys a good meal and a drink as well.
It seemed at the beginning that we were way out in the country but it turns out we're not that far from London. Still in a very Dickensian way there are a limited number of characters who cross each others' paths.
It will be interesting to see what Dickens does with Barnaby, the "feeble-mnded" character, another example of the weird as we saw in Old Curiosity Shop. Gabriel is a bit like Mr Pickwick or one of the kindly old gents in the other Dickens works we've read, basically kind and generous but enjoys a good meal and a drink as well.


A nice observation about weather mirroring the feelings. 'It was a dark and stormy night' is the phrase that was on my mind when I was reading these opening chapters. And yes, Gabriel is a tad formulaic, but there is a potential familial tension between him and his wife or whoever she is - his wife, his mother, his widowed sister-in-law:-)

"Cheap editions" as well as annotated editions and vintage editions are all equally good for a Dickens project! We are literarily egalitarian:-)

Hedi, excellent observations as usual!
Zulfiya wrote: "Christopher wrote: "So, apparently I have the "Cheap Edition" with the Raven story. That's fine, it was a very interesting tale."
"Cheap editions" as well as annotated editions and vintage edition..."
I'm reading the Oxford Illustrated Dickens from my local library (they were about to toss it for water damage but I asked if I could sign it out instead). There are some great illustrations by George Cattermole and Hablot K. Browne ("Phiz") (which sound like proper Dickensian names) including a drawing of the Maypole which makes it appear far grander than in the description. I had skipped the author's preface (from 1868) but went back to check and it is indeed about a raven and a rather sad story about a destitute woman.
As to the story itself, once again I found myself having a bit of trouble keeping everyone straight and needed the occasional reread. As with TOCS there is a mysterious backstory to keep us guessing. I was impressed with Joe-standing up to his rather insufferable father and his father's cronies, and look forward to meeting more of Gabriel Varden and his household.
"Cheap editions" as well as annotated editions and vintage edition..."
I'm reading the Oxford Illustrated Dickens from my local library (they were about to toss it for water damage but I asked if I could sign it out instead). There are some great illustrations by George Cattermole and Hablot K. Browne ("Phiz") (which sound like proper Dickensian names) including a drawing of the Maypole which makes it appear far grander than in the description. I had skipped the author's preface (from 1868) but went back to check and it is indeed about a raven and a rather sad story about a destitute woman.
As to the story itself, once again I found myself having a bit of trouble keeping everyone straight and needed the occasional reread. As with TOCS there is a mysterious backstory to keep us guessing. I was impressed with Joe-standing up to his rather insufferable father and his father's cronies, and look forward to meeting more of Gabriel Varden and his household.

According to the introduction from my edition, Dickens original title for the novel was "Gabriel Vardon, the Locksmith of London." He re-worked the novel and changed the title before it was published.
So far, I'm enjoying "Barnaby." The first chapters display Dickens considerable gifts at descriptive writing and the combination of humor, sentiment and horror that is so unique to his fictional world.
It's hard to tell five chapters in, but it does seem like Dickens is trying to be a "serious" novelist in Barnaby Rudge. It will be intriguing to see how this work fits in with his growth as a novelist. Dickens is one of the rare writers whose novels improved as he grew older.

'An analysis of how Charles Dickens portrays central characters and events of the 1780 Gordon Riots in his novel Barnaby Rudge:
The Gordon Riots emerged out of a large anti-Catholic protest which took place in London on 2 June 1780. They are named after Lord George Gordon, the parliamentary peer and head of the Protestant Association who orchestrated the initial protest, and who plays a prominent role in the narrative of Barnaby Rudge. By the 1800s the riots were still remembered and were often referenced in debates on politics and reform, therefore Dickens regarded them as material relevant to his own time.
Barnaby Rudge is Dickens's fifth novel and was initially serialized in 1841 in his short-lived periodical Master Humphrey's Clock. It was published in volume form in December of that year along with The Old Curiosity Shop. In choosing to set his narrative in the past, Dickens sought to emulate the celebrated Scottish novelist Sir Walter Scott (1771-1832), whose fictional reworkings of major historical events had done much to encourage the critical acceptance of the novel form. The structure of Barnaby Rudge is reminiscent of several of Scott's narratives in the way that the story begins by focusing on a number of small domestic groups before panning out to recount these characters' experiences within a major historical event.
Dickens's Characters and Their Real-life Counterparts:
There are some intriguing differences between the real-life Lord George and the character from Barnaby Rudge. Dickens's Gordon is an idealist who is easily influenced by his secretary Gashford. The omission of the historic Lord's political views reveals much about the author's own interpretation of the riots. Lord George only intended to present his petition for the repeal of the Catholic Relief Act of 1778 if 20,000 or more people joined the protest. It is estimated that around 50,000 turned up. Once the subsequent riots had been subdued Lord George was arrested on a treason charge and imprisoned in the Tower of London, as Dickens's narrative relates. The authorities couldn't prove the Lord's guilt however and he was later acquitted. He died in 1793.
Although Lord George's secretary in Barnaby Rudge, the sycophantic and conspiratorial Gashford, is a fictional character, Dickens drew on real-life in his creation, looking to the figure of Robert Watson (1746-1838) for inspiration. It is debatable whether Watson was ever Lord George's secretary although he was his biographer.(view spoiler) During the actual Gordon Riots, the houses of several Catholic families were attacked.(view spoiler)
The devastation of the riots is captured in a scene where the inebriated rioters drink spirits from the gutters.(view spoiler) This striking scene is based on an actual event when a distillery in Holborn burnt down killing many people.
London was in chaos during the Gordon Riots and once they were finally put down, the authorities were keen to prevent future similar outbreaks. They believed that this would be ensured by making an example of the troublemakers. As with the fates of Hugh and Dennis in Dickens's novel, the principal rioters were hanged. 25 people were publicly executed around London in July of 1780.'
Source: Charles Dickens Barnaby Rudge ed. Clive Hurst OUP 2003.

That is a very good point, Robin. I had forgotten about that, but remember thinking about that explicitly when I read it, esp. as I sometimes compare the weather with a mirror of my mood myself.
And something that seemed new to me compared to the previous reads is that Dickens here actually puts the sound of a machine into letters. I cannot remember having read anything like "Whirr-r-r-r-r-r" before. And it also mirrors the "heated spirit"/ mood of the person who operates the machine.

Sorry, Christopher, "Cheap Edition" somehow seems to have a negative touch. ;-) I wonder whether those publications were really separated in a high class version and a cheap one in the 19th century, maybe a little like the special edition in linen with golden letters vs. the cheap paperback version or free ebook version nowadays.
MadgeUK wrote: "The different style of the novel may be because it was Dickens' first attempt at an historical novel, in emulation of the popular works of Sir Walter Scott. Here is a bit of analysis which might th..."
Thanks MadgeUK, the Gordon Riots are completely new to me.
Thanks MadgeUK, the Gordon Riots are completely new to me.

I have just read my appendix ;-) and had the feeling that it could be a foreshadowing of things that occur in the novel. Maybe it foreshadows/ represents (the development of) some characters we will encounter. However, it is too early to tell, as you said as well, Lynnm.

Thanks, Zulfiya, just some humble impressions from my side. I am actually quite excited about the read (do not know why, maybe just my current mood), and maybe talking/ posting too much... So I hope that is ok with you all.

http://www.guardian-series.co.uk/news...

Thanks a lot for all the information, Madge.
Interestingly the "real" Maypole looks a little different to the one that the illustration shows in my copy.
Frances, I think I have the same illustrations you have, in which the Maypole looks rather like a manor house than an inn.

http://www.archive.org/stream/erhumph...

I expect a lot has been done to the King's Head in 160 years:)

I expect a lot has been done to the King's Head in 160 years:)"
Yes, you are right, Madge, that is a long time ;-)

Hedi, I am bubbling with ideas as well.




http://www.luckymojo.com/archangelgab...


At the end of the OCS, we had a very insightful discussion about the title and its possible meaning for the novel.


Great point, would make sense having the religious context of the Gordon Riots in mind...

So far, it seems as if Dickens is merely laying the foundation. Background information, and a lot of hints of what is to come. Like Gabriel's and Joe's characters quite a bit. Sadly, though, I put all of Dickens characters up against Sam Weller for likability, and except for Kit in the Old Curiosity Shop, no one comes close. I will have to see about Gabriel and Joe - Joe has spunk, and I like that.
Looking forward to getting into the Gordon Riots and the religious conflicts in the story.
And interesting point about Gabriel's name - could be for the Angel Gabriel, fighting "evil." We'll have to see.
Barnaby himself is a bit sad, and the description of his mother - always on a brink of having an expression of terror - was different.
Madge - thanks for all the wonderful links.

So far, it seems as if Dickens is merely laying the foundation. Background information, and a lot of hints of what..."
Both Sam and Kit are very likable and arouse genuine sympathy. Well, I also like Esther and Flora from his other novels, but shhhh... here come spoilers:-)

:-) Looking forward then to Esther and Flora.
Speaking of spoilers, is it okay to discuss guesses on where the plot is going? Such as guesses as to who that terrible man at the Malpole is who ended up at Barnaby Rudge's home, talking to his mother?