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“For Sayonara, literally translated, 'Since it must be so,' of all the good-bys I have heard is the most beautiful. Unlike the Auf Wiedershens and Au revoirs, it does not try to cheat itself by any bravado 'Till we meet again,' any sedative to postpone the pain of separation. It does not evade the issue like the sturdy blinking Farewell. Farewell is a father's good-by. It is - 'Go out in the world and do well, my son.' It is encouragement and admonition. It is hope and faith. But it passes over the significance of the moment; of parting it says nothing. It hides its emotion. It says too little. While Good-by ('God be with you') and Adios say too much. They try to bridge the distance, almost to deny it. Good-by is a prayer, a ringing cry. 'You must not go - I cannot bear to have you go! But you shall not go alone, unwatched. God will be with you. God's hand will over you' and even - underneath, hidden, but it is there, incorrigible - 'I will be with you; I will watch you - always.' It is a mother's good-by. But Sayonara says neither too much nor too little. It is a simple acceptance of fact. All understanding of life lies in its limits. All emotion, smoldering, is banked up behind it. But it says nothing. It is really the unspoken good-by, the pressure of a hand, 'Sayonara.”
― North to the Orient
― North to the Orient
“Just been poisoned by my gran. Nothing says Christmas better than familicide and anaphylactic shock.”
―
―

“He had then warned his daughter not to violate the Eleventh Commandment.
"Which one is that?" I asked her.
"Do not bullshit thy father," she said.”
― Love Story
"Which one is that?" I asked her.
"Do not bullshit thy father," she said.”
― Love Story

“Nothing is every quiet, except for fools.”
― Cry, the Beloved Country
― Cry, the Beloved Country

“A romantic is usually afraid in case reality doesn't come up to expectations.”
― Our Man in Havana
― Our Man in Havana
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