Kate Forsyth's Blog, page 63

Title: Citadel


Author: Kate Mosse


Publisher: Hachette 


Age Group & Genre: Historical Thriller with supernatural twist



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The Blurb:

LABYRINTH took us to the walled city of Carcassonne, SEPULCHRE travelled to the mysterious town of Rennes les Bains, now CITADEL transports us right to the southern-most edge of France - and to an amazing adventure set at key points in history in this scarred land right on the Spanish border. Combining the rugged action of LABYRINTH with the haunting mystery of SEPULCHRE, CITADEL is a story of daring and courage, of lives risked for beliefs, of unlocking secrets buried by time. Through history, this 'green land washed red by blood' has seen so much - not least the bravery of the men and women who smuggled exiles out of occupied France and away from the Nazi regime over the border into Spain. In CITADEL, Kate Mosse once again sets out to captivate the reader with the people at the heart of ancient struggles, to bring alive places and times unknown to us and to keep us on the edge of our seats with an amazing story.



What I Thought:

I really loved both ‘Labyrinth’ and ‘Sepulchre’, which brought together elements of my favourite genres – history, suspense, romance, with a twist of the supernatural. So I was very excited to get Kate Mosse’s new book, ‘Citadel’, which is a lovely, big, thick thwack of a book. You wouldn’t want to drop it on your toe, or have to carry it around in your handbag.


Even though it is very heavy and hard to hold while reading in bed, ‘Citadel’ was a swift and pleasurable read. Most nights I stayed up later than I should have, unable to put it down.  I love books set in France (I’m such a Francophile!), I love books set during the Second World War, and I love books that have a parallel narrative, set in two different time periods – and so ‘Citadel’ ticks a lot of boxes for me. 



Unlike ‘Labyrinth’ and ‘Sepulchre’, there is no contemporary narrative in this book. Instead the story set during the Second World War is interwoven with a tale of a Dark Ages monk who is seeking to protect a mysterious scroll called the Codex. This secondary thread is only a minor part of the book, which concentrates on the primary story of the struggles of a group of women Resistance fighters trying to help people escape Nazi-occupied France. Really, the book could have done without the Codex - the story of the brave women Resistance fighters is strong enough to stand on its own. However, with this second narrative thread, Kate Mosse is able to have the same twist of the supernatural that worked so well in her earlier two books, plus tie all three books together at the climax. 




I’m actually rather sad to know that this is the end of Kate Mosse’s Carcassone books – I hope she writes some more!





PLEASE LEAVE A COMMENT, I LOVE TO KNOW WHAT YOU THINK!

I have always loved fairytale retellings, and will buy one as soon as I see one, particularly if it has a gorgeous cover. Today, for your reading pleasure, I have chosen twelve beautiful, romantic and spellbinding books for you,  plus one which – like the thirteenth fairy who fails to be invited to the christening party – is dark and strange and full of power. 



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'The Glass Slipper' by Eleanor Farjeon

I read this retelling of the Cinderella fairytale while walking home from primary school one day and was so entranced I walked straight past the turnoff to my street. I might have kept walking for hours if a neighbour hadn’t driven past and honked me back to reality. 



I love this book so much that I named my daughter Eleanor after the writer, with her pet name being Ella after the heroine. The Glass Slipper is full of wit and charm and whimsy and word play, the prose dancing like poetry. After I left my primary school, my one regret was that I hadn’t smuggled the book out of the library in my school bag and kept it. 

Years later, I found it in a second-hand shop and fell upon it with squeals of excitement. This is very much a classic children’s book, published in 1955 – the Prince does no more than kiss Ella’s hand – but it is so full of joy and innocence, it will always be one of the most magical books of my life. 

For 8+



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'The Stone Cage' by Nicholas Stuart Gray

A beautiful retelling of the Rapunzel fairytale, told from the point of view of the witch’s cat, this is an absolute classic fairytale retelling. Reading this as a child is what first made me think of writing my own Rapunzel tale – I wanted to make my heroine a little feistier than Nicholas Stuart Gray’s sweet and loving Rapunzel. 



What I love most about this book is the personalities of the witch’s cat and the witch’s raven – one is arrogant, selfish and smart-mouthed, the other serious-minded and scholarly. 



For 8+





Cold Iron by Sophie Masson



Published as Malkin in the US, this is a retelling of the English fairytale ‘Tattercoats’, interwoven with elements of Shakespeare’s ‘A Midsummer’s Night’s Dream’.  ‘Tattercoats’ is a Cinderella type story, about a persecuted heroine, but in this book it is not the sweet and maltreated Tattercoats who is the heroine, but the brave and feisty serving-girl Malkin, and her friend, the goose-boy Pug. Cold Iron is a small book, but packed to the brim with personality. Sophie Masson writes with a light, deft touch, lavishing attention on her minor characters and on the scenery, so that the book gleams like a little jewel.



For 8+

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Wild Magic by Cat Weatherill 

This is a wonderful fresh take on the Pied Piper legend, which explores why the Piper may have lured away all the children of the town of Hameln and what may have happened to them afterwards. The primary protagonists are Mari and her little brother Jakob, and the land they have been taken to is a place of wild magic, fearsome beasts, and an ancient curse than must be broken if they are ever to escape. The writing is beautiful, and the story itself gripping and suspenseful.  I’m surprised this wonderful book is not better known. 





For 8+ 





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Princess of the Midnight Ball by Jessica Day George 

I thought, from the title, that this must be a Cinderella- retelling, but it is in fact ‘The Twelve Dancing Princesses’ which Jessica Day George has re-told in this sweet and atmospheric novel. Even though Jessica Day George has done a classic retelling here, in a fantasy otherworld very much like Europe, and with the plot line adhering closely to the original tale, she has done it with a light touch, a sense of humour, and just enough twists and turns to keep the reader turning the pages.  A captivating fairytale retelling. 



For 8+





Ella Enchanted by Gail Carson Levine

Since being made into a movie with the beautiful young Anne Hathaway, Ella Enchanted is possibly the best known retelling of Cinderella. As always, though, the book is much better than the movie, being filled with humour and surprise and intelligence.



At birth, Ella is given the gift of obedience by a well-meaning but air-brained fairy called Lucinda. The gift is more of a curse for poor Ella, and so she sets out to find Lucinda and undo the spell. She has all sorts of adventures along the way, some of which include a prince, a pumpkin coach and a glass slipper, but Gail Carson Levine takes great delight in twisting the known elements of this most popular of tales to give it new life.



12+






The Goose Girl by Shannon Hale

The Goose Girl was Shannon Hale’s first book, and launched her career.  It is a retelling of the Grimm Brothers story ‘The Goose Girl’, which is one of the lesser known tales but still filled with a few gruesome touches, like a dead horse’s head that talks. 



Ani, a crown princess, can talk with birds and animals, but her talents are not appreciated in the royal family. When Ani is sent off to marry the prince of a neighbouring kingdom, her treacherous maid-in-waiting schemes to take her place. Barely escaping with her life, Ani disguises herself as a goose girl while she tries to find a way to reclaim her rightful palace. With some surprising twists and a satisfying ending, this is a lovely romantic retelling, suitable for children or adults. 



For 12+





North Child by Edith Pattou 

Known as East in the US, this beguiling book is a retelling of a traditional Norwegian fairytale ‘East of the Sun, West of the Moon’, which is an Animal Bridegroom type story. 



Rose was born into the world facing north, and as a north child, superstition says that she will be a wanderer, travelling far from home. This prophecy is fulfilled when she rides away on the back of a white bear to a mysterious castle, where a silent stranger appears to her night after night. When her curiosity overcomes her, she loses her one true love, and must journey to a land east of the sun and west of the moon to save him.



For 12+



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A Curse As Dark as Gold by Elizabeth C. Bunce 

I love fairytale retellings that are set in the real world, at a real time in history – somehow they make the fairytale seem so much more possible. A Curse As Dark as Gold was one of my favourite reads last year – a beautiful, romantic retelling of the well-known Rumpelstiltskin fairytale, set in a British wool town during the Industrial Revolution. This story is really brought to life by the atmosphere of the mill, the heroine’s family home which is being threatened with closure. It also has a really charismatic and surprising villain, which helped add suspense and surprise to this well-known tale.



For 12+

Till We Have Faces: A Myth Retold by C.S. Lewis

I had adored C.S. Lewis’s Narnia series as a child and so one day, while staying with my great-aunts, I found this book on a bookshelf and sat down on the floor to look at it. The first line reads: ‘I am old now and have not much to fear from the anger of gods.’  



Entranced, I read on to the end, devouring the book in a single sitting. Till We Have Faces is a retelling of the Cupid and Psyche myth, which is not properly a fairytale, except in its obvious similarity to Animal Bridegroom tales such as ‘Beauty & the Beast’ and ‘East of the Sun, West of the Moon’. It is, however, still one of my all-time favourite retellings.



For 16+





Deerskin by Robin McKinley

This is a heart-rending retelling of ‘All-Kinds’-of-Fur’, the Grimm tale about a king who falls in love with her daughter and seeks to marry her. Known under different names in different cultures, it’s probably best known as Tattercoats, Catskin, or Donkeyskin. In some versions of the tale, the princess manages to outwit and escape her lustful father, before hiding herself in the skin of a wild beast and working in the kitchen of the king of a neighbouring country. In time, the second king comes to recognise the princess hidden beneath the filthy furs, and marries her. 



In Robin McKinley’s novel, the daughter does not escape until she has been raped by her father, making this one of the most powerful, and ultimately redemptive, novels ever written about incest. 



Robin McKinley has written many other beloved fairytale retellings, including Beauty and Rose Daughter (both retellings of ‘Beauty & the Beast’) and Spindle’s End (a retelling of Sleeping Beauty), but I think Deerskin is her most powerful and compelling. 



For 16+





Daughter of the Forest by Juliet Marillier

A retelling of the Six Swans fairytale, this was Australian author Juliet Marillier’s first published book.  Although she has written a number of gorgeous, spell-binding fairytale retellings since – including Heart’s Blood (‘Beauty & the Beast’) and Wildwood Dancing (Twelve Dancing Princesses), 



Daughter of the Forest is still my favourite. It is set long, long ago, in Ireland, and begins when Sorcha, the seventh child of the family and the only girl, is only a child. The whole atmosphere of the book is filled with romance, enchantment, beauty and danger, making it one of the best retellings ever written (in my humble opinion).



For 16+





And the thirteenth fairy tale is:





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White As Snow by Tanith Lee



Tanith Lee has been called "the Angela Carter of the fantasy field" for her dark and sensuous prose. This is one of the strangest and yet most compelling fairytale retellings I’ve ever read. It is so filled with violence and despair, it is almost unreadable in parts. Yet somehow it haunts the imagination afterwards, giving new depths to the well-known story of Snow-White, and taking it very far away from Disney territory.



Arpazia is the queen cold as snow who gives birth to a daughter with hair black as night and lips as red as blood ... but she hates her daughter, who was conceived when she was raped by her father’s murderer, the night his castle was taken and sacked. The daughter Coira grows up alone and unloved, longing for her mother’s attention. But Arpazia is drawn to the dark and bloody old ways, and has no time for her daughter – indeed, she hires someone to kill her. He is the manager of a travelling sideshow which features seven midgets who dress up as the Seven Deadly Sins ...  and so the story goes on, with each scene blacker and more grotesque than the scene that came before. This is not a fairytale for the light-hearted, let alone for children – but it does show the amazing ability of fairy tales to contain many different levels of meaning. 

This blog post originally appeared on the fantastic blog 'Adventures of An Intrepid Reader', one of my personal favourites - check it out






PLEASE LEAVE A COMMENT, I LOVE TO KNOW WHAT YOU THINK

I absolutely loved Jaclyn Moriarty's new book, 'A Corner of White' and so, as always, I wanted to know more about it. 





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Jaci kindly agreed to do an interview with me. Here are her answers:







Are you a daydreamer too?

I daydream so much that I am always either lost or bumping into something. 



Have you always wanted to be a writer?

From the age of six. 



Tell me a little about yourself – where were you born, where do you live, what do you like to do?

I was born in Perth, WA, but my family moved back to Sydney when I was two so I grew up here.  I’ve lived in the US, England and Canada, and now I’m back in Sydney.  I like to see the ocean from a window, read all night, eat pancakes in my pyjamas, bake chocolate cakes, skate on frozen lakes, talk all night, and dance in the living room with my six-year-old, Charlie.  (I only really like that last one for the first few minutes: after that, Charlie changes the music, or makes me pick him up and spin him around which hurts my back, or tries to switch things to a game of musical bumps, which I have to say is not a game I enjoy.) 



How did you get the first flash of inspiration for 'A Corner of White' ?

A friend gave me the nickname The Princess KuKu Nightie.  I decided I wanted to write a story about that princess.  Years later, I drew pictures of a kingdom called Cello, where the princess could live.  The princess herself ended up on the cutting room floor, and luckily, so did the nickname. 



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Tell me about how you came to use colours as a key part of the book?

I was working in a café one day when a friend stopped by.  I told him I was writing about the Kingdom of Cello. ‘Okay, so what are your monsters?’ he said. ‘You can’t have a Kingdom without monsters.’  (He’s a filmmaker and had just made a horror movie.) I always used coloured textas and pencils when I’m working so these were scattered over the table.  The monsters are colours, I said.  



Did colours come first, or Newton?

After I’d decided to make colours into monsters, I read about the science of colour and light.  That led me to Isaac Newton, and the story of him buying a glass prism at a marketplace and using it to split a beam of sunlight into colour.



Did you make any astonishing serendipitous discoveries while writing this book?

Well, I’d already decided to set the book in Cambridge, England, and particularly in Trinity College, Cambridge.  When I got interested in Isaac Newton I discovered he’d been at Trinity, Cambridge.  I chose some other random famous people who’d also been at Trinity, and unexpected connections started emerging between them.   



How extensively do you plan your novels?

For my first novel, 'Feeling Sorry for Celia', I had a one-page plan and did no research at all, except to check some facts along the way.  For this book I had a 150-page plan and 30 folders of research material.

Sometimes I miss writing the old way, and when I finish this trilogy I want to write an entire novel without a word of planning. 



Do you ever use dreams as a source of inspiration?

Not so much dreams as not-quite-sleeping.  Ideas come to me when I’m falling toward sleep, or listening to music.  The whole plot of 'Finding Cassie Crazy' came to me while I was half-asleep and listening to a Placebo album. 

Oh, wait.  I just remembered that I dreamed about the essence of sadness the other night.  I used that in a description of my character’s bad day.   





Where do you write, and when?

After I take Charlie to school I walk to a local café and write ideas or plot chapters in a notebook for about an hour.  Then I come home and work in my study until it’s time to collect Charlie from school at 2.55 pm.  Most days the writing goes nowhere until 2.50 pm when it finally starts working.   So I get in 5 minutes of writing a day. 



What is your favourite part of writing?

The planning phase, before I start writing, when it feels like it’s perfectly possible that I’m just about to write a masterpiece, and I’m spending whole days in cafes drawing pictures and I can’t believe this is my job.  Also, the final third of the book, after I’ve spent months dragging some huge disaster of a book up the side of a mountain and thinking, I can’t believe this is my job,  and then, finally, it’s sort of coming together and I get to toboggan down the other side.   



What do you do when you get blocked?

Eat too much chocolate.  Run up and down a flight of stairs.  Drink a lot of water.  Cry.   Read poetry. 

 

How do you keep your well of inspiration full?

Reading poetry and science.  Talking to people in unexpected places who do unexpected things. 



Do you have any rituals that help you to write?

I can’t write without having a blue bowl of fruit and chocolate on my desk beside me.  



Who are ten of your favourite writers?

Elizabeth McCracken, Lorrie Moore, Lisa Moore, Edith esbit, Diana Wynne-Jones, Frank Cottrell-Boyce, Louis Sachar, John Marsden, Virginia Woolf, Dylan Thomas, Jane Austen, Carol Shields, Charles Bukowsi, F.Scott Fitzgerald, Rachel Cohn.  I think I stopped counting sorry. 



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Diana Wynne Jones, also one of my favourite writers




What do you consider to be good writing?

When the characters keep chatting to me even when I’m not reading the book. 



What is your advice for someone dreaming of being a writer too?

Don’t feel like you have to write a novel right away, and don’t be mad at yourself if your stories keep stalling and you find yourself starting something new.  Write as many quarter stories in as many different genres as you like, until one catches hold of you and makes you want to take it to the end. 





What are you working on now?

The sequel to 'A Corner of White'.  Its working title is 'The Cracks in the Kingdom'. 



If you enjoyed this, check out my interviews with Michael Pryor and Jesse Blackadder



Please leave a comment, I love to know what you think!