Alyssa Zaczek

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Bridget...
2,711 books | 55 friends

Mishari...
1,047 books | 220 friends

Rachel ...
974 books | 49 friends

Summer
617 books | 244 friends

Abigail...
196 books | 41 friends

Melissa
138 books | 13 friends

Melanie...
1,412 books | 148 friends

Ben Rod...
152 books | 17 friends

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Alyssa Zaczek

Goodreads Author


Born
in Chicago, IL , The United States
Website

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Member Since
May 2017

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Alyssa Zaczek grew up in the south suburbs of Chicago, Illinois, where she spent her childhood writing stories about nervy girls and slowly amassing a landslide of books beneath her bed. She holds a Bachelor's degree in Playwriting, which she uses to justify her love of banter. When not reading or writing, she enjoys cooking, curating vintage clothing and making her partner laugh. She currently lives in St. Cloud, Minnesota, with said partner and their four animals. MARTIN MCLEAN, MIDDLE SCHOOL QUEEN is her debut novel.
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Average rating: 3.98 · 330 ratings · 85 reviews · 1 distinct workSimilar authors
Martin McLean, Middle Schoo...

3.98 avg rating — 330 ratings — published 2020 — 9 editions
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The Motherload by Sarah Hoover
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Alyssa Zaczek is on page 40 of 272 of Positive Obsession
Positive Obsession by Susana M. Morris
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Positive Obsession by Susana M. Morris
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Meditations for Mortals by Oliver Burkeman
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Longshadow by Olivia Atwater
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Ten Thousand Stitches by Olivia Atwater
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Pan by Michael Clune
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The Leviathan by Rosie Andrews
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I’m Glad My Mom Died by Jennette McCurdy
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Topics Mentioning This Author

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Turn of a Page: This topic has been closed to new comments. * February Cover Hunt 72 129 Feb 28, 2022 08:41PM  
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Audrey Niffenegger
“The compelling thing about making art—or making anything, I suppose—is the moment when the vaporous, insubstantial idea becomes a solid there, a thing, a substance in a world of substances. Circe, Nimbue, Artemis, Athena, all the old sorceresses: they must have known the feeling as they transformed mere men into fabulous creatures, stole the secrets of the magicians, disposed armies: ah, look, there it is, the new thing. Call it a swine, a war, a laurel tree. Call it art.”
Audrey Niffenegger, The Time Traveler's Wife
tags: art

James    Howe
“This business of really knowing people, deep down, including your own self, it is not something you can learn in school or from a book. It takes your whole being to do it—your eyes and your ears, your brain and your heart. Maybe your heart most of all.”
James Howe, The Misfits

Gail Carson Levine
“Drualt took Freya's warm hand,
Her strong hand,
Her sword hand,
And pressed it to his lips,
Pressed it to his heart.
Come with me,' he said.
Come with me to battle,
My love. Tarry at my side.
Stay with me
When battle is done.
Tarry at my side.
Laugh with me,
And walk with me
The long, long way.
Tarry with me,
My love, at my side.”
Gail Carson Levine, The Two Princesses of Bamarre
tags: love

Rainer Maria Rilke
“The point of marriage is not to create a quick commonality by tearing down all boundaries; on the contrary, a good marriage is one in which each partner appoints the other to be the guardian of his solitude, and thus they show each other the greatest possible trust. A merging of two people is an impossibility, and where it seems to exist, it is a hemming-in, a mutual consent that robs one party or both parties of their fullest freedom and development. But once the realization is accepted that even between the closest people infinite distances exist, a marvelous living side-by-side can grow up for them, if they succeed in loving the expanse between them, which gives them the possibility of always seeing each other as a whole and before an immense sky.”
Rainer Maria Rilke, Letters to a Young Poet

Jeffrey Eugenides
“Emotions, in my experience, aren't covered by single words. I don't believe in "sadness," "joy," or "regret." Maybe the best proof that the language is patriarchal is that it oversimplifies feeling. I'd like to have at my disposal complicated hybrid emotions, Germanic train-car constructions like, say, "the happiness that attends disaster." Or: "the disappointment of sleeping with one's fantasy." I'd like to show how "intimations of mortality brought on by aging family members" connects with "the hatred of mirrors that begins in middle age." I'd like to have a word for "the sadness inspired by failing restaurants" as well as for "the excitement of getting a room with a minibar." I've never had the right words to describe my life, and now that I've entered my story, I need them more than ever. ”
Jeffrey Eugenides, Middlesex




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