Jordan L. Hawk's Blog, page 24

I figured you might be interested in the research trip I took to the Trans-Allegheny Lunatic Asylum  (TALA) in Weston, WV. First, a few facts. TALA was built in 1864 and used continuously until 1994, which is a damn long time for a building here in the US (I know my European friends are rolling their eyes at this point). It was built on the Kirkbride plan, which is responsible for the classic look of many Victorian insane asylums. According to our tour guide, Sarah, almost 300 Kirkbride-style buildings were constructed; of these, less than 10 remain, and TALA is the only one you can legally visit.

Coming into Weston, I missed a turn somewhere, but that didn’t matter because the sheer size of the building means it’s pretty freaking hard to miss. Seriously, it is massive. The length of the building from one end to the other is 1,295 feet – nearly a quarter mile long! There was no way I could get a picture of more than a relatively small section at a time.

The imposing entrance. Note the restored clock tower on top. It only has clock faces on three sides; the fourth faced the direction of the fields some inmates worked in order to supply the asylum with food. Without a clock, they had no way of knowing how long they had been working.

TALA offers heritage tours and ghost tours. I chose the 4-floor heritage tour, because I was there to get a sense of the building and the realities of day-to-day life inside.

The restored superintendent’s office, just inside the front door.

A collection of antique wheelchairs.

“Trustworthy” patients were house in the wards on the ground floor. This is the restored sitting room, as it would have appeared in the late 1800s.

The view from inside a patient room.

The restored hallway of the first floor ward.

Carved faces, meant to ward off evil spirits. The Celtic masons hired to build the asylum believed evil could only enter through the back, so only the back entrances have these carvings.

The unrestored children’s ward on the second floor. Children with Down’s syndrome, autism, or other disabilities were often housed in mental asylums. When grown, they would move to the adult wards, where they would spend the rest of their lives.

Next time, we’ll visit the staff quarters!

Last week, I was driving back from my research trip to the Trans-Allegheny Lunatic Asylum in Weston, WV (and yes, I will be blogging about it later this week!), and I realized my route passed very close to the setting for Threshold. So when a convenient overlook came up, I pulled over and took these photos to share.

The vantage point is from near a ridge top, but I think you can see how deep the hollows are and get an idea of how closed-in one feels down at the bottom. Not to mention the lushness of the shadowy woods, and how easily one might become lost…perhaps forever.

This week, to help us celebrate the release of Reaper of Souls, some generous souls offered to hold giveaways. I thought I’d collect them here for your convenience:

Babes in Boyland: Fab author Melanie Tushmore asked me five easy questions about the SPECTR series. Find out how many books there will be, and what inspired me to write the series. Additionally, if you comment, you can win a book!

The wonderful folks over at The Novel Approach interviewed Gray, asking him reader-submitted questions and a few of their own! Find out what Gray really thinks about Caleb, sex, and sleepovers. Leave a comment on the interview, and be entered to win a $5 Amazon GC! And while you’re there,  check out Lisa’s wonderful 5-star review!

It’s release day for Reaper of Souls, the third novella in my SPECTR series.

When an incubus murders the powerful ally of an anti-paranormal senator, it’s up to hotshot Federal agent John Starkweather to catch the demon before it can kill again. Fortunately, he has backup, in the form of his boyfriend Caleb, a telekinetic possessed by the vampire spirit Gray.

As the political pressure mounts and bodies pile up, John discovers an old enemy protecting the incubus: the Fist of God, a group that believes all paranormals are evil. But why would the Fist work with a demon? And why would they let it kill one of their own allies?

John and Caleb need to find out fast. Because the incubus lurks at the intersection of love and longing, and it’s willing to turn their deepest desires against them.

Buy it here:

Haven’t started the SPECTR series yet? Hunter of Demons is now only $0.99 on Amazon, B&N, ARe, Kobo, and Smashwords!

Reaper of Souls will be officially out tomorrow, so this seemed like a good time to put up the cover for SPECTR #4, Eater of Lives.

SCOTUS made history today by striking down DOMA and effectively consigning Prop 8 to the dustbin. To celebrate, I’ve made Hainted free for a few days on Smashwords with coupon code CK46P. Just add it to your cart as normal, then put in the coupon code and the price should go to zero.

PS: If you’ve already read it, feel free to pass along to code to as many people as you’d like!

Next week, the third installment of SPECTR makes its debut. In the meantime, here’s a peek at the first chapter to whet your appetite. Click here to read!

I’m very pleased to have Julian G. Simmons, the amazing narrator for the audiobook version of Widdershins with us on the blog today! Since I know very little nothing about voice work, I thought an interview would be a great way to learn more.

How did you get into audiobook narration?

Actually, I had been doing some voiceover work here and there, most recently as the voice of Roman Polanski for a film by the Scottish director, Mick Davis. Friends in the business kept telling me I should think about narrating audiobooks. Then I got an invite to a members’ workshop that the Screen Actors Guild was holding on narrating audiobooks and it just kind of fell into place. The idea excited me, but I knew I didn’t have the typical “narrator” voice that had been already established, so finding my place in that world might take some time.  I also see it as a natural extension of acting, because that’s what I do mostly.

How do you choose a project? And what drew you to audition for Widdershins?

Good writing is what first draws me to any written material whether that’s a book or a screenplay or a play. If I don’t like the writing I find it difficult to make whatever character I’m playing authentic. I know this might sound funny coming from an actor, but if the character(s) doesn’t feel real in the first place, it becomes a complicated issue making them real and still respecting what the writter has put on the page, even with a good imagination. A tree can’t grow and leaf if the roots aren’t firmly planted in the ground.

It was an easy decision to audition with Widdershins because I immediately liked the writing.  And I got an intuitive sense about it that I would like where the story was going, without having read it. I trust those instincts. I also immediately liked the character of Whyborne, I could tell he had hero in him. I’m also drawn to mysteries and books that fall into the Victorian era.

What do you find the biggest challenge in audiobook narration? The most fun part?

There are so many challenges in audiobook narration and the narration itself is only part of it.  It’s essential that you are working with a good team and that includes a professional audio producer and mixer, an author or publisher who is available to answer questions should there be any during the recording of the book, and if at all possible someone who can direct the narrator while reading. The focus of the narrator should always be on their performance, whether that performance be subtle or more bold, that each character has their own life, and that the narrator’s pace is not too fast or too slow. There is a lot for the narrator to think about, so having a second set of ears can help to catch when things need to be adjusted. The biggest challenge though, is in interpreting and giving a voice to each character that genuinely echoes what is written on the page. And the most fun for me is in creating a voice for each character that complements and doesn’t distract from the story.

 Widdershins was a first-person novel. How did you get “in character” for narrating from Whyborne’s point of view?

After reading the book I basically let him (Whyborne) live inside me for a while. Amazingly I personally related to him a lot. He is someone who is much stronger and braver than he might appear on the outside and he’s also very happy to stay within his small space because it feels manageable.  It’s not so much about being safe, it may appear that way at first, but it isn’t.  Whyborne is recovering from a tragedy that has plagued him for some years and he has kind of resigned himself to things not changing for the better, though he’s not a fatalist either.  He just doesn’t see himself as exceptional, even though he is quite extraordinary.  As the story progresses we begin to see how strong and brave and exceptional he really is and how love, and pain, are the things that reveal those characteristics.  In creating Whyborne in the first person I trusted my own inner voice to guide me. So that the changes in his voice are subtle but consistent, from someone with not a lot of self confidence who is compelled to act because his conscience tells him he needs to do so. The other thing about Whyborne is he’s really quite witty and often what he is saying is not what he’s thinking. He’s complex and I love that.

I really, really loved your take on Theron Blackbyrne, the wicked resurrected sorcerer. My skin crawled listening to you read his lines—which it didn’t do when I was actually writing them! How do you decide the manner in which to portray a character, whether villain or hero?

Theron Blackbyrne is a delicious character because he’s ghoulish on one hand and yet exudes an erotic aura on the other.  And there are clues in the writing that gave me ideas, like the fact he had some type of indiscernible accent.  It was obviously very important to bring to life what was written on the page and that is, how can I make a moldering dead person into someone who is seductive and sexually attractive? It was a fun challenge and I’m thrilled you are happy with it!

Can you tell us a little about the recording process?

It’s a lengthy process, but I can’t really say too much about it because the actual recording is not what I do, but what the sound engineer does. For me, the first step is having read the book and as I’m doing that I make a list of the characters and the personality traits that stand out about each of them. On the days we’re recording I try not to start too early in the day, if at all possible, because my voice tends to be a little scratchy first thing.  I also like to record on consistent days because it helps keep the integrity of the characters I created without having to go back and listen to what was recorded earlier.  And there are obvious things like making sure the room you’re recording in is soundproof and absolutely quiet except for the sound of your voice.

What advice do you have for authors seeking narration for their books?

It’s a good idea to have some idea of what type of voice or voices you want for your book, but to be open to a voice you haven’t heard in your head before. Remember that you may find a narrator’s voice appealing that you have heard somewhere before, but that doesn’t necessarily mean that he or she is the best voice for your story. As I did with you, get a sample read from the narrator(s) to make sure you think they “get” your story. Once you have chosen your narrator, put your trust in that person and give them the freedom to create the characters as they see them.

Anything else you would like to add?

Just a big thank you to you, Jordan, for giving me the opportunity to narrate what I consider to be a very well-crafted tale of love and suspense!

Pimp yourself out and let us know where else we can find you on the internet, other projects, etc!

The biggest news would be my participation in a project produced by Kevin Spacey, “Shakespeare High,” which recently played on Showtime.  I’ve also been busy doing some commercial acting work for Samsung Asia, Pepsi and AMP Australia.

My website is: www.juliangsimmons.com

Facebook: www.facebook.com/juliangsimmons2013

IMDb:

Twitter: @juliangsimmons

“…I’m intoxicated.”

This song has been on my SPECTR soundtrack since the beginning, but I’m finally getting to the point in writing the story (SPECTR 4) where it’s relevant.