A Chicago Tribune review heralding Steven Sidor's previous novel notes: "Crime fiction and horror fans alike will find The Mirror's Edge a dark, disturbing gem."
That line is applicable to Sidor's new outing, Pitch Dark, as well. A definite crime thriller feel permeates the set-up, while the plot revolves around a Lovecraftian McGuffin and builds to a supernatural-fueled climax. Think Elmore Leonard crossed with dark magic.
Much of the action occurs in a snowy Midwestern motel run by Opal and Wyatt Larkin, survivors of a shooting spree in the diner where Opal worked years earlier. Wyatt, then a police officer, helped stop the incident but took a bullet. Opal, then pregnant, almost perished.
As the story begins, Opal is experiencing mysterious visions, believed to be residual effects of the shooting, of which unanswered questions remain. Wyatt has long believed a second shooter was involved. The truth and much more will be revealed as their snowy Christmas Eve progresses.
Trouble has found them and more is on the way.
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