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Suzanne
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Oct 24, 2013 02:57AM

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Suzanne, that sums up my attitude. Though I'll admit that in certain cases, like Sherlock Holmes, it's nice when there's an unchanging consistency to the character, and you can drop in on any story and feel right at home...

Kathy, as someone who likes writing the characters best and the mysteries least, I'm glad you stick with series for the characters!!! Great response, thanks for posting.

I'm not sure whether or not you've read any of them, but I have a lot of apprehension for Jacqueline Winspear's next Maisie Dobbs book. I don't want to give any spoilers as it hasn't been a very long time since the last one came out, but I'm really worried about what direction the story is going to go in the next one. Her Maisie Dobbs has evolved through the series in a very believable way so far, but the cliff hanger at the end of the last book could really take a bad turn easily. So much so, that as a reader, I wondered if she intends to write another one at all.


I like continuity but I don't like static. The characters have to speak to me and keep me interested in the story so that I will want to finish it.
I look forward to reading your newest book.



When I become invested in a main character in a series, that's what I want to see. The consistency of that person should be the ground that the book walks on. And I can take comfort in the expectations I have of my fantasy friend.

Some characters, Poirot, Miss Marple, etc. are instantly imbued with this sense of stability and of being almost caricatures, at least in my opinion (though I am a huge fan of Monsieur Poirot!) and so they don't need to change much, because in their case, their stability and reliability is what we are attracted to.
I am the type of reader who needs to be drawn in by characters. Even if there are holes in the plot, I can love a book if I can somehow connect to the characters, that is really why their evolution matters so much to me. I want them to be real;-)


I absolutely agree with Katelynn. There are some series characters that work really well as fairly static characters (Miss Marple, Poirot, Holmes)--It's nice to know that when you visit St. Mary's Mead or 221B Baker Street that things will generally be the same. But I also enjoy the characters that grow and change and have events that work to change them. For the most part. Elizabeth George's Inspector Lynley series is the tricky one. I enjoyed his growth until she snatched happiness from him. I haven't read another book since What Came Before He Shot Her and I have no desire to do so. Extreme, abrupt change for a beloved character is definitely a difficult endeavor for an author to bring off successfully.