In 2007/8 the Tate had a splendid Peter Doig show. In honour of his Edinburgh retrospective, I am resurrecting my TLS review.

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One of the quietest but most resonant presences on the art scene since the early 1990s has been Peter Doig. He is resolutely unfashionable: not just a painter, nor even a figurative painter, but a landscape painter. What could be more out of sync with his contemporary YBAs than that? Yet at the same time, Doig – Scottish born, Canadian raised, resident in Trinidad –...