Cai
asked
Mikel Jollett:
How did you decide to write a memoir versus fictionalizing it? Was it partly about catharsis, therapeutic process, a dedication to honesty? Other?
Mikel Jollett
It never occurred to me to fictionalize it. The question that started the memoir was, “Why am I so sad?” After my dad died, I knew what I wanted to write about. Why did his death hit me so hard? He was sick for a lot of years, we knew he was going to only last so long. He actually lived longer than we thought he would because he kept doing his regimen. I thought I was going to write a much shorter book. I think I set out to write something like a 30,000-word memoir.
I had just finished 'Between the World and Me,' a brilliant book by Ta-Nehisi Coates, where the device was a letter to his son about race. When I read that I thought, “I want to do something similar but maybe a letter to my father.” It’s going to be about addiction, mental illness, and I wanted to get into that. So, I started to write a book about my dad, and the more I got into it, I realized I needed to give the kid a voice.
The artist part of my head doesn’t care about the personhood. Whether I’m writing a book or writing a song, I don’t even think about how I’m going to feel about singing it or having it be in the world. For years it didn’t even cross my mind. Then when the book was done, before I even signed on with Celadon Books, it occurred to me that it was really personal. I then started having the fear of exposure. But it didn’t cross my mind when I was writing it. My focus was really just capturing the story perfectly; I didn’t care how I felt about it.
I had just finished 'Between the World and Me,' a brilliant book by Ta-Nehisi Coates, where the device was a letter to his son about race. When I read that I thought, “I want to do something similar but maybe a letter to my father.” It’s going to be about addiction, mental illness, and I wanted to get into that. So, I started to write a book about my dad, and the more I got into it, I realized I needed to give the kid a voice.
The artist part of my head doesn’t care about the personhood. Whether I’m writing a book or writing a song, I don’t even think about how I’m going to feel about singing it or having it be in the world. For years it didn’t even cross my mind. Then when the book was done, before I even signed on with Celadon Books, it occurred to me that it was really personal. I then started having the fear of exposure. But it didn’t cross my mind when I was writing it. My focus was really just capturing the story perfectly; I didn’t care how I felt about it.
More Answered Questions
Stacy
asked
Mikel Jollett:
I was really moved by your story. Thank you for being so vulnerable in sharing such deep, personal feelings with the world. I was wondering how your family reacted to the idea of you writing a memoir and sharing parts of their personal journey. Did it take time to get them on board? How did they react after reading? Stacy
Natalie
asked
Mikel Jollett:
This question contains spoilers…
(view spoiler)[
Thank you for such a poignant look at your life! I’m on my second read through because your story is so fascinating. You’ve been through so much and thank you for giving back and not hiding from any of your hardships and triumphs. My question is: how do you remember these moments in such detail? Did you keep journals?
I’m so happy for you that you found true love and FAMILY! Love ATE!
(hide spoiler)]
I’m so happy for you that you found true love and FAMILY! Love ATE! (hide spoiler)]
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