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Tate Publishing??? I need some input to make a decision.


My first red flag is that they contacted you. I'm sure other Good Readers agree--unless you're a celebrity, legitimate companies don't come to you, you go to them.
My second is that your experience is so perfect in comparison to mine and the others listed on this 5.5 page thread, it's either fake or too good to be true.
I imagine you'll discover that they won't market squat, just like everyone else says. I was hoping to release Early One Morning to tie in with Son of God hitting theaters, but I didn't have four grand to pay. I went with Amazon, released in October and am as happy as ever. I still wish they offered hardcovers, as I'm getting ready to send autographed books to the Bible cast, but I guess that's what Lulu is for.




Hello there Mark. I just want to say be careful. I too had received an offer from Tate. The same exact offer you received. All I can say is that they were trying to charge me for services, such as editing, book cover, layout...even though the marketing and distribution was free. With help I took care of that, but they were trying to stall with my book. Tate isn't a good company, but Lord willing hopefully you won't have any issues with them.
I had got released from my contract a few weeks ago, but out of nowhere I get an email from them talking about they are waiting for my book cover.
Irony? They want a cover from me and I'm no longer signed with them? Lol! I email them to remind them about my staus.

Send me a friend request please!


Been there Mark. Tate might produce your book for free if you have print ready materials. If you have print ready materials such as cover, layout and edits are done why would you need Tate when they do not actively market your book? They will just come back to you and tell you that your cover is no good so we would need to change it and that's $500 and so on...

Indie writers, you don't need Tate Publishing (or any vanity press) at all.
Everything that Tate does for you, you can learn to do yourself. In the last two years, I've learned how to format ebooks in Kindle and EPUB format, and I've learned how to format interior text and covers for print-on-demand printing. So now I have three paperback titles for sale, and about a dozen ebook titles for sale, from knowing nothing about this stuff in August 2011.
It takes a while to learn how to do this stuff, and at times it's darned frustrating. But what is the alternative? Four thousand dollars to Tate?
Today, as it happens, I uploaded my fourth paperback book to Createspace. For this book, I've spent a total of $105 to turn words on a hard drive into a paper book; and $105 is much cheaper than $4000, is it not?
Here's what all this book-formatting knowledge gets me, besides saving me the price of a used car: I have choices now. I can whip out a short story that I will sell for only a few dollars as an ebook. I can write a novel, and put it out as both a paperback and an cheaply priced ebook. All my novels and stories go out with covers I like, and with sales-blurb text I like. And then, knowing what I know now, I can publish other authors. (In fact, the novel I uploaded today to Createspace was by the first author I've signed.)
I have no problem at all with throwing money at a great cover artist. But spending money on a vanity publisher? There's no need. The fact is, I can do for an author, everything that Tate claims to do (except for marketing); and even if I were to charge someone forty dollars an hour for my time, and mark-up the price of the artist I'd hired, I wouldn't charge this hypothetical author anything close to four thousand dollars.
To start out as an indie publisher, I recommend:
• _Independent Self-Publishing_ by Michael N. Marcus
• Anything written by Aaron Shepard
• Microsoft Word 2010
• downloading Scribus open-source desk-top publishing software.

I used to Google images for my covers, but I discovered last fall that you can get two images from Shutterstock for $25. That's where I got such a lovely gal for Early One Morning. Maybe one day, I'll have a traditional publisher with a nice, fancy cover. But for now, I'll settle for my $12.50 image and a little patience with Photoshop. :D




But I find this to be true: they are honest with what they provide and honest about what it will cost the author, which for more first time authors is $4,000. Obviously, they have a business. And, in all businesses it requires selling – and, oh, yes, their salespersons are ferocious. Why? Because they are selling a service, but give them credit, it is not snake oil. They are selling publishing services, which is a legitimate business; just as long as one gets what was paid for.
I could understand the weeping and wailing concerning TATE if they took an author’s money and never published the book. But as I look on their site I see books. In fact, not only on their site but I see 16,000 of their books listed on Barnes and Noble and about the same amount on Amazon. I see books as eBooks, audio, soft and hard copies – and they have some interesting covers, which is the direct contradiction of what I have read on this forum. So what’s wrong with that? Looks to me as if they have a clever business and they are successful.
Okay, here is the concession. It appears that Tate will publish just about anything they can get their hands on, as long as the content is within their “nice” category. Of those 16,000 books I just wrote about…well…I don’t recognize any of them. Okay, a couple but for the most part the service one gets from them is a book. But what else can an author expect? It doesn’t matter who the publisher is – they can’t make a lousy, mediocre or even a fairly good read into a bestseller. If the book is amazing – Tate just might give that book a chance. But no publisher guarantees a bestseller or even a book that is going to land on a bookshelf for more than a month. And, yes, it’s probably true Tate’s business model is just like a “puppy mill” churn them in – and churn them out, but aren’t all Vanity/Subsidy Publisher based on that model?
Truth known, I doubt that TATE is looking for the bestseller. They make their money on volume. But, still it is a win-win as they do provide the services and at least give the author a shot to make their book a success – for a price. Again, nothing wrong with that – and, I will also give them this: they are extremely responsive to the author during the process. One is kept informed through it all. Emails are returned promptly – ah, so refreshing. And, the author can “leave the driving to them.”
So, back to the issue - if as a first time author, one has an agent who sales their book to a commercial publisher – fabulous! If one is tired of going it alone, tired of the rejection, tired of searching who will take an unsolicited manuscript (few will), or is impatient and does not want to wait endless months for a book to come out (after landing a publisher) than you have two choices; go the self-publishing route, or go the route of Vanity/Subsidy (if you have the money). There are advantages and disadvantages to both. Tate holds some advantage here as they use INGRAM – the largest distributor in the world. So, again, your book, if truly amazing, might have a chance. The other advantage with them that sets them apart is that in the long shot you sell 1,000 copies – well – you win. You get your $4,000 back. (Odds are probably on TATE’s side that you won’t sell that many.)
Once again, everyone gets to make their own choices –so I just don’t understand the big deal. If you have $4,000 to buy Tate’s services to get a book printed that can be a great option. Why label those who choose this route as foolish? We know what we are getting. One other point: the services are tax deductible, as they are prepublishing costs. For some, there again, depends on where each person is, that’s important.
In the end, (sorry it took so long to get there), it’s about the book. I am sure there are thousands of great books that never got noticed – but we do know one thing –no matter what we do, rather we self- publish, or go the route of Vanity, Subsidy or NYC’s “Big Five," it won’t get noticed unless, first – it is published and second—it’s great!

I'm going to say up front that I'm not completely opposed to the use of vanity/subsidy presses. Like almost everything else, they have a place in life, although what I would consider to be their legitimate purpose is extremely limited. If you are a lecturer, or have another career where you need to have a book or two available and have not been able to interest a selective house and don't have the time or inclination to purchase freelance professional services, sure. They make no sense for anyone else.
Availability through Ingram doesn't mean that bookstores will stock your book. Frankly there are fewer and fewer of them, selling fewer and fewer books.
Also, frankly, the quality of the professional services does affect the quality of the finished book. To my knowledge, I've never seen a Tate book, but I've seen a fair number of vanity products in my life, and they are generally not highly professional in appearance. Createspace paperbacks actually look much better than most of what I've seen, and all you pay for is the printing. The really lovely part of that is that you don't have to pay for a run. You can order one or two books.
Even for a finished product, $4000 is a high price tag buying those products and services piecemeal.
Finally, and this is the thing that really bothers me, they are not forthright about being a vanity house. Most subsidy/vanity presses are not. They masquerade as selective publishers.
Speaking of selective publishers, it is not necessary to start with the "Big Five" (or four, or six, I keep seeing different things). There are plenty of small and medium houses out there, many with a narrow focus. Some of the small houses don't give advances, which is fine, but the big difference, is that you don't pay them--they pay you. And since they don't get paid unless it sells, they have a strong investment in making your book the very best it can be.

Okay, after six pages of chatter, I can see where you're confused. So let me clear this up for you:
NO ONE is upset that Tate is a vanity/subsidy publisher. (If you are, I'm sorry...it's a newsflash to me.) What we are upset about is that Tate likes to pretend that they're a traditional publisher, to whom you pay a $4,000 "marketing fee". We are also mad that, after paying said marketing fee, Tate eats it and doesn't do squat with our books.
If vanity is what I wanted (I can't speak for the rest of us), I would've gone with iUniverse or one of the others. iUniverse's second best package is $1,400 less than Tate's marketing fee, but based on what I've heard, iUniverse does scads more!
But none of us have $4,000 sitting around out there that we can throw to Tate to play tiddlywinks with. That's why everyone in their right minds uses CreateSpace/KDP and deals with their own marketing.









That's free now. I mentioned it a page or two ago.



I just published my kindle books on the following address: http://www.amazon.com/s/ref=nb_sb_nos...

Daniel, Congratulations! It is certainly a compelling and powerful cover. It also looks like a fascinating story. (I read the inside). Very exciting, and I wish you all the best with it, especially after going through such a nightmare with the other companies you mentioned. I commend you for not giving up after being ripped off. (I think I would have given up.) But instead you finished the course to what looks to be a wonderful success! You obviously have great tenacity and I am sure it will pay off! Apparently, for you it is true…all is well that ends well.

Hello there. I hope and pray to God that everything works out for you with Tate. There are pros and cons with any publisher, including the major ones. I have posted somewhere on this discussion about my bad experience with Tate. I have read other horror stories up here. All I will say is that there are people who have paid the $4,000 with Tate and didn't get the services they had paid for. I just hope you are one of the fortunate ones that do get what you paid for. Because honestly they don't screw everyone over, but they have done that. Have a blessed day!



There are a large number of unhappy Tate authors.
This discussion just goes round and round in circles, so yes, it can be put to bed.
At the end of the day, do your research. Ask around, look at the reviews and sales ranking of books on Amazon (an eye opener with Tate titles).
Always go into a publishing contract with your eyes open.

According to a former Tate employee...

Anyway, a few months back, she mentioned that she will be releasing her 1st book. After several email & FB chats, I come to find out that she was charged $4000 to get her book published. I COULD NOT BELIEVE THIS! As someone who helped promote a best-selling book, I was taken aback. First of all, because I would have charged less, and secondly, the way that the company is handling the launch process. 'Apparently', she can't get any galley, or advance copies of her book w/o buying them?
Well, I come to find out today who the publisher is (Tate). I NEVER heard of them. So, I went to their website. In their header, they claim to be, "America's Top Publisher" (in quotes)!...
The book that I helped promote was published by Penguin - a company that most of you have heard of, but Tate?!?
I feel so sorry for my friend, but more for myself, because I could have REALLY helped her with her marketing, and made some money to boot.

Or, hire someone reputable to promote the book.
I see them as I look at any other product launch => there is a lot of work that needs to be done to have a successful book.

Books mentioned in this topic
Sail Away on my Silver Dream (other topics)Early One Morning (other topics)
Fluffy, Funny, and Fabulous: A Tale of Five Sisters (other topics)
I think it also depends on your sales rep. If your rep was HITTING HIS?HER SALES goals, then they will not offer you that.