Around the World in 80 Books discussion

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The Name of the Rose
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I can also recommend the film. This is one of the few cases in which I loved both the novel and the film (I know these two totally different media types should not be compared so easily, but I just can't help it.)

I had no idea it had been made into a film. I will definitely have to watch the film after I finish reading the book.


Looking it up? Are there people doing that?? I can't imagine doing that...


The ending, with the (view spoiler) hearkened very much to the gothic novels and dark secrets in old manors (Jane Eyre, anyone?). But I think Eco meant it more as a kind of purging, perhaps? Like expunging all evil and heretical ideas? Or was it more meaningful of the dangers of collecting and hiding knowledge?
And what did you think of William? At times, he seemed gentle, kind, and a good teacher, and others, he seemed harsh, rude, and careless. He even admits he was blundering along the whole time, that he came to the conclusion accidentally, through false assumptions. And Adso: does he learn anything from all this? Or does his (view spoiler) indicate his own hiding of knowledge, dwelling in the past?
I did enjoy when they finally figured out the way into the secret room, but a lot of the explanation left me going "huh? Who cares?"
Regardless, (view spoiler)


Question (view spoiler)
About the Book
The year is 1327. Benedictines in a wealthy Italian abbey are suspected of heresy, and Brother William of Baskerville arrives to investigate. When his delicate mission is suddenly overshadowed by seven bizarre deaths, Brother William turns detective. His tools are the logic of Aristotle, the theology of Aquinas, the empirical insights of Roger Bacon—all sharpened to a glistening edge by wry humor and a ferocious curiosity. He collects evidence, deciphers secret symbols and coded manuscripts, and digs into the eerie labyrinth of the abbey, where “the most interesting things happen at night.”
About the Author
Umberto Eco was an Italian writer of fiction, essays, academic texts, and children's books. A professor of semiotics at the University of Bologna, Eco’s brilliant fiction is known for its playful use of language and symbols, its astonishing array of allusions and references, and clever use of puzzles and narrative inventions. His perceptive essays on modern culture are filled with a delightful sense of humor and irony, and his ideas on semiotics, interpretation, and aesthetics have established his reputation as one of academia’s foremost thinkers.