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Writers write every day. Then they pan for gold in all the muck. I know this but I don't heed my own advice.
(Writing on GR threads does not constitute "writing every day," alas.)
P.S. Re: Gatsby. I think a lot of classics come across as "boring" when you're young. Not all, but a lot. They have to grow on you. Or, with age, you tend to appreciate them more. I was never a fan of Fitzgerald young OR old(er), and ditto to Faulkner (who's even worse). But I loved most of Hemingway's stuff from the get-go. I think it's because his diction is so simple, making it a direct match with my brain.
(Writing on GR threads does not constitute "writing every day," alas.)
P.S. Re: Gatsby. I think a lot of classics come across as "boring" when you're young. Not all, but a lot. They have to grow on you. Or, with age, you tend to appreciate them more. I was never a fan of Fitzgerald young OR old(er), and ditto to Faulkner (who's even worse). But I loved most of Hemingway's stuff from the get-go. I think it's because his diction is so simple, making it a direct match with my brain.
That's funny, because I've never been a fan of Fitzgerald, Faulkner, or Hemingway, but the reasons have changed with age. When I was a kid, I was just irrationally angry at the authors for not writing something that would have made school more interesting (school even sucked the magic out of books I loved: when I got to Macbeth, my favourite play, in high school, it felt something like a formerly deep and passionate love that I had once stayed up at night pining for, but about whom I was somewhat ashamed in the cold light of the present and the deadness of the longing for that old, lost feeling of deep affection). But as I've got older, I've sought out many authors again, because tastes change and the capacity for objectivity increases with maturity (at least until one hits post-middle-age, as far as I can glean). Unfortunately, for some authors, of whom Hemingway, Fitzgerald, and Faulkner stand as symbols, I only discovered more coherent reasons to regard them as less-than-demiurgic writers.

May I suggest also listening to a few books? One learns language initially through one's ears, and listening to something well written and in the style one wishes to write gives one a sense of how things should sound. Not that I'm advocating writing in an accent. There is a book out that I enjoyed called Reading Like a Writer by F Prose; not that I'm a writer but I enjoyed the book. Non Fic, of course.

Thanks, Ruth! This is for a technical document.

Thanks, Newengland. This is a sentence (modified because I didn't have the sentence in front of me when I was posting the question) that goes into a user manual for engineers.

Do you always use italics to show a character's internal dialogue/thoughts in a manuscript, regardless of the amount of internal dialogue there is? I know you should never overuse italics for emphasis, but using italics for internal thought is not the same as using it for emphasis, so that rule shouldn't apply the same. I just feel like there "looks like" there is too much italics in a section of manuscript. I'm inclinded to say, a rule is a rule and use the italics for the internal dialogue, but don't want the reader to be too distracted either.

Do you always use italics to show a character's internal dialogue/thoughts in a manuscrip..."
Hi Stacey, I'm not posting this opinion as an expert (I'm not an expert!). But as an avid reader, I think italics are very distracting. The only time I think italics work in fiction (particularly, crime fiction) is when they are used to highlight a sentence that's meant to surprise or shock the reader. Internal thoughts are best left in the default font.
In my experience, italics are the exception rather than the rule. You should be able to write your scene well enough so it's obvious that the character is thinking. No need for "he thought" or italics.

Thanks Ruth and Nita. That helps. It did feel like the italics were really excessive.
I've also seen thoughts placed in quotation marks but, like the italics, this is the exception and not the rule. An adept writer should be able to signal thoughts by the writing, no gimmicks (or conventions) needed....
Two words separated by OR take a singular predicate (e.g. John or Sue is driving Mom to work.), but when one word of the pair is singular ("One") and the other is plural ("more"), you go with the one closest to the verb.
My choice: "One or more are...."
My choice: "One or more are...."

Thanks much!
I would normally agree, but I see more as a collective and singular in it's more-ishness (!) ....if it was 'One or two' I would say 'are', but in this case I just think 'one or more is' sounds better.
But what would I know....!!!
But what would I know....!!!

And when did we lose the "If I had... , I would have..." Now it's just "If I would have ..." or, even worse, "If I would of". Shudder.
I swam out to the point.
My shirt shrank in the dryer!
Hmn. Not sure how "swum" or "shrunk" would work in either of those sentences. Am I missing something? Am I thunking incorrectly?
My shirt shrank in the dryer!
Hmn. Not sure how "swum" or "shrunk" would work in either of those sentences. Am I missing something? Am I thunking incorrectly?

My shirt has shrunk in the dryer.
We old schoolers can continue with our fewer words , I am thunking.

My shirt has shrunk in the dryer.
We old schoolers can continue with our fewer words , I am thunking."
The difference is in the tense and there are slight differences in meanings when used properly.
Past Tense - My shirt shrank in that dryer.
Present Perfect - Things have shrunk in there before.
Present perfect tense describes an action that happened at an indefinite time in the past or that began in the past and continues in the present.This tense is formed by using has/have with the past participle of the verb.
http://leo.stcloudstate.edu/grammar/t...
And the earlier example "If I had... , I would have..." is tied up into the whole confusion about the subjunctive tense.
Use of the Subjunctive
We use subjunctives mainly when talking about events that are not certain to happen. For example, we use the subjunctive when talking about events that somebody:
•wants to happen
•hopes will happen
•imagines happening
Just remember Tevye had it right ... If I were a Rich Man!


I am trying to change my attitude so that I no longer moan, but take an academic interest in " seeing my native language evolve before my eyes". I did have to fight myself to keep from typing "deteriorating before my eyes."

To my British ears, "we got" is odd and ugly and "we have got" is utterly commonplace. There wouldn't be anything wrong with "we have a great show", though it is more formal and less idiomatic in BrE than the "have got" that so many Americans dislike.

My shirt has shrunk in the dryer.
We old schoolers can continue with our fewer words , I am thunking."
..."
Thanks I told you I stunk, stank at grammar.
They are leaving out the 'have' here in NZ too.....I am constantly correcting the kids I teach....the ones who say, "I got none".....sometimes with an 'ain't' thrown in as well for good measure.

Moan.

Ah, for the days when "common" was an insult!
Not an affectation here.....these kids have grown up with adults who speak like that. They probably think I am terribly affected!

It sounds wrong to me.
"Nearly 1 in 3 American Children is overweight or obese. I say it should be are my husband says no .
Kitty wrote: "This is a heading for an article on the internet.
It sounds wrong to me.
"Nearly 1 in 3 American Children is overweight or obese. I say it should be are my husband says no ."
'Is' is correct, because its subject is the ONE of the three, not the three.
It sounds wrong to me.
"Nearly 1 in 3 American Children is overweight or obese. I say it should be are my husband says no ."
'Is' is correct, because its subject is the ONE of the three, not the three.
Remember what Hamlet says of the gravedigger:
'Custom hath made it in him a property of easiness.'
The oftener one uses an odd-sounding construction (such as 'oftener') the easier it will become.
'Custom hath made it in him a property of easiness.'
The oftener one uses an odd-sounding construction (such as 'oftener') the easier it will become.


Nearly is an adverb modifying a quantifier, which can act as both noun and adjective. The 'one' is still the subject here.

It sounds wrong to me.
"Nearly 1 in 3 American Children is overweight or obese. I say it should be are my husband says no ."
Surely the subject is American Children- plural (and the one in 3 is a cross whole population so it is also indicating a plural quantity) so I say "are", but I'm no grammarian!

There is no other issue than what the subject of the verb 'be' is, and the answer is 'one', which is singular.


If we know what you dislike, it might be easier to suggest alternatives. As you dislike the second example, the issue is not just that you don't want to end a sentence with a possessive, so I'm not sure what it is.
You could say "Bill's interests included dogs and golf", but that sounds very cold to me. Another option would be to elaborate, e.g. "Bill's interest in dogs reached its peak when Fido won the silver trophy..." of "Bill devoted years to improving his golf handicap, but the camaraderie of the golf club mattered to him even more."

"Dogs have been an interest of Bill's (rather than Bill) for most of his life'....sounds better?
Since this is a story about Bill, not one about dogs, I think he should be the subject of the sentence.
Bill has been interested in dogs for most of his life.
Bill has been interested in dogs for most of his life.
The sentences you give are somewhat awkward, and I would try to reword them. But the original sentences are entirely grammatically sound.
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I checked out your profile and re..."
Hmmm. Ok. Anyway, thanks for everyone's advice. I guess the reading thing was obvious... I'll just put more dedication into it. And I'll keep writing until I find my spark.