THE Group for Authors! discussion
Writer's Circle
>
Why do so many authors seem to be fixated on physical books?
date
newest »


The only reason I have all my books printed (as well as ebooks) is for myself and to make use of Goodreads giveaways.


My publisher is probably using similar reasoning, but I haven't asked them.

I'm really not convinced on the "make more money" despite the higher price points. If you have a publisher, the royalty rate is generally much lower than it is with e-books. It's not just the greater volume, I make more money from every e-copy I sell through them than from every print book. If you don't, while you should theoretically make more off each copy, you have to sell them, in which case you either have to try to get them into a dwindling number of retail outlets where your production package will be competing with ones from major publishers with a lot of resources OR you need to develop some sideline, such as a lecture circuit or a table at various events where you can sell them yourself.



The only self-published print book I ever bought was ugly as homemade sin, and didn't look anything like the pretty books that I can buy in bookstores. This was several years ago, so maybe they have improved in appearance at this point.

I have noticed that, and I always think it's a little funny, because no, it's not true. It may help sell e-books though.
The ones of mine I ordered off Createspace weren't too bad. Not major press stuff, but better than most vanities, although I know my covers were pretty bland. I'll take bland over ugly, but there isn't much clue to content.
Yes, the margin is good, but the author assumes all of the risk, and I think a lot of people overestimate the ease of selling them.

At 55, one could say it's my age and that woud be true but my adult children ages 27-34 are the same as me.
I will self-publish all of my ebooks in a paper form for older readers if the topic applies, and also for those like me who love the feel, including that musty smell of old books!
CreateSpace is tricky - the worst thing is the adjusting the photo color and also the titles. There is no embossing option to make the title complement the cover photo. If there were, I think my first cover would be fabulous.

I have always liked the smell and feel of books, and I certainly haven't developed a distaste for them, but I also like the way a vinyl record feels and the way it's packaged. It's just stopped being the most effective way for me to get and read books, just like vinyl records stopped being the best way to play music around the time I graduated from high school.
To keep the analogy going, authors focusing on print books to the exclusion of e-books, to me, sound like a recording artist saying in 1988, "I really want to get an LP out, the sound is great and they have a wonderful solid feel and the cover art is full-size--tapes sound crappy and I'm not convinced on this CD thing." There's a lot of truth there, but...

I tend to by e-books - partly for cost and partly for space but I do prefer research books in print.


I tend to by e-books - partly for cost and partly for space but I do p..."
Surprisingle many older readers like Kindle because they can enlarge the text and it's easier to read.

I don't think that's true, Moonlight Reader. Many people that I've spoken to either have e-readers but still prefer reading an actual book; use both e-readers and read actual books; can't afford an e-reader but don't like reading books on the small screen of their smartphone or just prefer real books. I try to satisfy both sides.

I don't think that's true, Moonlight Reader. Ma..."
What percentage of your book sales are print books?


To date I have sold way more eBooks than paperback. I self-published my paperback through Lulu and was pleasantly surprised at the end product. It looks just like the other books on the shelves of Barnes and Noble, though it took a second round of reprint to get it that way.

So do I. And I make a lot more money off the Kindle sales.

There are probably almost as many reasons people like print or e-books as there are paperback and e-books.

I read about 75% of my books in ebook format now, but I'll always want some of them in paperback/hard-cover. I don't think that's going away.


So there is a problem for authors with uniformity of the software.
I think bookshops that sell them find the ebook sections for d/l were their best selling section.
We do both only where the book is all text. With non-fiction book with lost of images we steer clear of ebooks at the moment, but that will change.

Hi Cindy - Have you tried mobi's Comic Book Creator. I was having the same problem as you were with lots of photographs and text boxes in the Authentication Guides that I publish. Luckily I stumbled onto Amazon's/Kindle's Comic Book Creator. It is fabulous, locks all of those photos, text boxes and block quotes into place so you don't have that blender effect. Of course, this only gets your eBook in a mobi format to be sold for Kindle. I wish I would find something equally as easy to use for the epub formats.

Another reason for print is that some reviewers demand print versions, or make it clear that they prefer print books. So that too has yet to change for non-fiction in the humanities.
I am planning on a full complement of eBooks released about a year after the print version. Not as an afterthought, but because by then the print book will have enough reviews and accolades to help sell the eBook. I'm hoping that many people will at that point prefer the eBook for the convenience and lower price. So in a way the print book becomes a sort of stalking horse for the eBook.

As a reader I still prefer print books. I like holding a book as I read. My second choice is audio. E books are a distant third. But, as an author we wanted to cover all bases.
Darlene Torday


You're absolutely right.
For sales, I publish digitally. But for offliners, most of whom I encounter offline, I have print copies. I give them away - and some people gladly hand me $10 for them.
Onliners would never pay $10 for a book they can get for $2.50 or $2.99 on their eReader.
Just above the category of people who don't know that "self-publishing is a thing" (I love that expression) are the people who would "never use their credit card online."
Print books are a necessity to have for some people, but in my case, I'm the only one who buys them. I've sold 300 Kindle versions of In The End, and 5 paperbacks - and each of those 5 were bought by friends and relatives. (The entirety of my support base. lol)
I'm convinced that I must have books in print - but not for selling online.


To really feel like I own a book, I want it on my bookshelf. When Lee Child puts out a book, I order the hardback without fail.
Otherwise, I go back and forth. Kindle is best when lying in bed in the dark. Reading in any position without regard for ambient light is awesome.


Hi Cindy- Yes, the Comic Book Creator by Amazon/Kindle would still work even if it were all text. It was created because the original KindGen middle-ware converter they created couldn't handle anything other than rich text. It is a great tool that I use if my book has anything other than words within it. I had to use it for my book How to Open and Run a Consignment Store, because I had tables, budgets, pictures, etc but the book is 90% text.
In eBooks, from what i have gathered in my short time self-publishing, there are two main formats, mobi (Kindle format) and epub (Nook, iPad, Kobe, etc). The comic book creator will convert your book into a mobi file, available for use on a Kindle- which is the fair market share of ereaders on the market anyway.
There is a free app in the Apple store so that you can read Kindle books (mobi format)on your iPad, so that broadens the market a little more, I just don't know if too many people know about it. I am still on the hunt for a simple program to convert my eBooks to the epub format so that they are readily available to anyone. I've tested a few that were more problematic then they were worth.

And then get a load of this:
Consider this earnings comparison:
Self-Publishing: You can write four novellas of approximately 25,000 words each and price them at $2.99. You'll make a 70% royalty from Amazon. Let's say you have or develop 3000 fans (easier to say than to do, but certainly not impossible). If they all buy all four novellas, you make $24,480.
Traditional Publishing: The Big Five are unlikely to buy novellas, so you write the same number of words but make it a 100,000-word novel. The eBook is priced at $6.99 (currently the Big Five average). Let's say you get a 25% royalty (most don't get that much). If you have or develop 3000 fans, you make $5242.
For the same amount of work and the same number of sales, the Big Five author makes less than a quarter what the self-published author makes. In fact, the self-published author reaches $5242 in earnings with only 642 copies sold.
This is from a newsletter called Red Sneaker Writers done by a multi-published author and writing instructor William Bernhardt.


3,000 fans?! Man, you are all living in a different galaxy than I am!

Books in print are a great form of free advertising. Chances are good that someone reading your print edition may take it with them, where it will be seen by many others.
Even if you only sell 10% of your book in print, that's an extra bit of income coming in, and free advertising every time one of those books is read in public.

Almost everything I sell is in e-book, and more tellingly, I don't buy physical books myself any more. I probably read several hundred books a year, and the thrill of instant gratification coupled with the liberation from storage needs has made me a convert. I've bought a handful of print books in the last year, mostly second-hand, and one off a remainder table. I don't even think about running to B&N because a favorite has a new release. I download it.
There are categories that I think will remain with us, such as anything that's heavily illustration dependent, and I still use guidebooks, because I find it easier than messing with an electronic device, but I think print editions of adult fiction are going the way of the vinyl record.
The only real issue I can see is that it's hard for your favorite writer to sign your e-reader.
Still, I see a lot of discussion on here about how to get books printed and/or into bookstores and very little about how to get your book signed with an e-publisher, even for writers of genre fiction.