Golden Age of Hollywood Book Club discussion
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Feliks, Co-Moderator
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Mar 15, 2018 01:25PM

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One of mine: I once visited the interior of the Hagia Sofia mosque where Sean Connery (James Bond) was stalked by Robert Shaw ('Red Grant') in 'From Russia With Love'. Later, I visited the underground Roman cistern/waterworks --where the Brits rowed themselves under the streets --to spy from below-ground, on the Russkie embassy (in the early part of that movie). Pretty thrilling.
I work near Court St subway station in Brooklyn, where sequences of 'The Taking of Pelham123' were shot. May be my #1 favourite thriller of all time.
And I reside near where 'Saturday Night Fever' was filmed; and also where 'The French Connection' (train chase) was shot.
And I reside near where 'Saturday Night Fever' was filmed; and also where 'The French Connection' (train chase) was shot.

NYC has many locations such as the opening scenes of the 1947 'Miracle on 34th Street' on CPW. It brings back memories when I see that.
You're questioning the expense of what, specifically? Visiting the ESB was always cheap as far as I know. Of course the '33 movie wasn't filmed there lol lol
I kinda think it was easier in former decades to see charismatic film locations because they still existed and hadn't been developed over.
I kinda think it was easier in former decades to see charismatic film locations because they still existed and hadn't been developed over.
I've peeked in the Bottoms Up club in Hong Kong where Roger Moore as James Bond, swallows the gold bullet from the navel of the teaze dancer. It's just a tourist trap, though.

I kinda think it was easier in former ..."
I was referring to the expense of making the movie during the Depression. I realize they didn't film at the ESB, but that scene certainly was a memorable one.
It's a good question to ask, how much the stop-motion animation cost the studio relative to how much the latest animation costs studios today. But I think because both the technology and the industry (as well as the American economy) are all so thoroughly different the comparison would truncate abruptly.
What I'm reminded of instead is the old debate about whether 'glamorous' Hollywood movies of the 1930s --set in penthouses and skyscrapers--were truly appropriate for the time. What else might Hollywood have done? The studio execs defended themselves by claiming they were raising people's hopes and boosting morale. I privately think --if it had happened in any other country-- it might have caused a revolt.
What I'm reminded of instead is the old debate about whether 'glamorous' Hollywood movies of the 1930s --set in penthouses and skyscrapers--were truly appropriate for the time. What else might Hollywood have done? The studio execs defended themselves by claiming they were raising people's hopes and boosting morale. I privately think --if it had happened in any other country-- it might have caused a revolt.




The source novel is one of the most tremendous reading experiences in American fiction. Well-deserving its Pulitzer. Could never be adequately realized on film not even by an Abel Gance.
So there's an Outer Banks town in North Carolina which is itself, named 'Carolina'? "Carolina, North Carolina"? Criminey...
So there's an Outer Banks town in North Carolina which is itself, named 'Carolina'? "Carolina, North Carolina"? Criminey...

The Andersonville story is kind of funny. Most of it was shot in Hollywood or possibly some exteriors in New York. Somebody who was supposed to transport the masters apparently lost some reels. Hiring tons of extras would have been prohibitively expensive in a union state, so Frankenheimer came to Wilmington to shoot a few reels. The scene was supposed to be winter, so there's fires burning and we're all wearing wool union soldier uniforms. It's actually middle of Summer, about 90 degrees and dizzying humidity. But it paid well for a North Carolina job and the catering was good. Plus, Frankenheimer. Though I hadn't seen The Manchurian Candidate at the time. I think it had been available again for a few years after about two decades of Francis pulling it off the shelves.

Considering the real soldiers would have had to wear wool in summertime, it's kind of ironic.



Wet cold in the 20's to 50's along with being malnourished, good way to come down with hypothermia.
It was only erected during the final 14 months of the war, so winters probably weren't a factor. I don't recall it featured in the story at all. Instead, since most of the POWs didn't make it through a full year, (rather like Madame Guillotine constantly being fed anew) it was a myriad of other ailments. A stern cold spell might have actually helped to keep disease down.
Anyway, eh. My impression was that mild, year-round temperatures was why films are shot in NC in the first place...
Anyway, eh. My impression was that mild, year-round temperatures was why films are shot in NC in the first place...

Sandy Dennis and Jack Lemmon (dang, how many fab flicks did Lemmon star in, anyway???) appear in perhaps the best Big Apple movie: 'The Out-of-Towners'. Another smash script by Neil Simon as well.
My god, what have we got today, to compare.
My god, what have we got today, to compare.

So there'..."
Read your review which is a great write up, next time I get a amazon gift card, I'm going to buy it. Or just maybe just shell out the bucks for a hardback edition.
Thanks! Yes you can see how overwhelmed I was in the immediate aftermath of that read. It makes my fondness for F Scott Fitzgerald look merely sentimental. As far as best American novel of the century I'm now inclined to nominate 'Andersonville'. I'd like to somehow include Pynchon's "V" but that pyrotechnic read is really more about non-American topics such as European history and ancient mysticism. Of course, Scott has that biting satire and irony but no one can truly match Kantor's fact-based descriptive power.

Sure, but every new batch of prisoners had their clothes practically stripped from them by the big gangs as soon as they entered. My point is, although there was plenty of discomfort, freezing wasn't the most feared. Your other remarks are well-spoken; and I'd agree that prison miseries can never be faithfully conveyed. There's some filthy confinement scenes here-or-there, in this-classic-movie or that-classic-movie; but it's not really a thing anyone can grasp via imagery. Audiences are hardly even historic-minded anymore.
It's rather like when they make zombie movies and all the zombie figures in the background are clearly, well-fed and physically fit.
