Catching up on Classics (and lots more!) discussion

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I, Claudius
New School Classics- 1915-2005
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I, Claudius: Spoiler Thread
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To begin with, how do you feel about the historical basis for the book? Most of the documents and books mentioned here do not survive, and in any case they probably didn't say anything about the motivations. So, "the chief of it must be invention" - do you like that?

Minor spoiler for both Game of Thrones and I, Claudius
(view spoiler)

I am OK with that so long as:
1) No known facts are contradicted
2) And preferably there is an afterword explaining sources and liberties.
I am watching Netflix Roman Empire docudrama in the order Netflix have them in: starting with season 3 Caligula. So I have possibly spoiled the later part of the book for myself, but I am looking forward to see how much they agree/disagree.
I am now watching season 2 “Julius Caesar: Master of Rome“. Honestly, my knowledge of Caesar has mostly been from Shakespeare and Asterix, so it has always puzzled me why this noble man had to be killed. Now I know...

Quo Vadis by Henryk Sienkiewicz. I will nominate for april. Sienkiewicz won the Nobel Prize.
Claudius the God and His Wife Messalina by Robert Graves
Augustus by John Williams. Yes, the Stoner-author.

I will support Sienkiewicz, that's a very good idea!
I am so excited for this discussion. I done some reading on the history of Rome and a few historical fiction too. So the big spoilers shouldn't be spoilers for me if it follows what we know from history.

I am OK with that so long as:
1) No known facts are contradicted
2) And preferably there is an afterword explaining sources and liberties."
Graves says generally that none of his fictional facts were historically inconceivable, but doesn't go into detail on liberties.
Obviously we couldn't expect to check stuff like whether Livia and Augustus slept together, or who secretly murdered whom from all the multitude here; but I would certainly trust him not to drop the ball on who commanded which garrison and governed which province.


He is supposed to be lame and is carried around but there is a fire where he save some stuff including furniture. Things like that are probably small mistakes from the author.
I think he is often manipulating other people more than it seems from what he is telling. He is trying to appear to not be a danger to whomever is in power.

What did you think of Graves's decision to use "familiar" words and modern names of towns and countries? I was honestly bemused by "regiment" instead of "legion," modern-sounding military titles, and sometimes was jolted out of the flow by geographically modern names even while I was thankful that I can understand them.

And "Regiment"? Graves' generation had experienced World War One and knew such terminology well.
A wonderful book to read for the budding "Gravesian" is his jaundiced war memoir, Good-Bye to All That: An Autobiography.
It's also worth recalling that Graves' histories were very accomplished, but this novel set him up financially for life. When I, CLAUDIUS was run as part of "Masterpiece Theater" on BBC and PBS several decades ago, we still had Alisair Cooke to point out the book's virtues -- not so much now.
through Amazon: https://www.amazon.com/I-Clavdivs-Der...

I'm not sure I get you Allen, do you mean the book has lost popularity compared to first years after publication?

"I, Claudius is a historical novel by English writer Robert Graves, published in 1934. Written in the form of an autobiography of the Roman Emperor Claudius, it tells the history of the Julio-Claudian dynasty and the early years of the Roman Empire, from Julius Caesar's assassination in 44 BC to Caligula's assassination in AD 41."
Then, in 1976, it was serialized for television -- BBC and PBS. Undoubtedly the television runs spurred book sales on both sides of the Atlantic. During those broadcasts, when I was in college, I can't tell you how often I remember my fellow students remarking that the broadcasts had first brought Graves' books to their attention through Alistair Cook's introductions.
Why do you think Graves chose to write this novel in the first person of Claudius, as opposed to a third-person narrator. Do you think it works well?

Anyway Claudius the narrator is pretty nearly omniscient, because he's writing a good long time after the events and researched all he could, and he doesn't even make any effort not to spoil his narrative ahead. Rather the opposite.


"The Germans," he said, "are the most insolent and boastful nation in the world when things go well with them, but once they are defeated they are the most cowardly and abject. Never trust a German out of your sight, but never be afraid of him when you have him face to face. "
There is a major hint in in the word ”nation” since Germany then was tribes - not a nation.
"If Germans ever become civilised it will then be time to judge whether they are cowards or not. They seem, however, to be an exceptionally nervous and quarrelsome people, and I cannot make up my mind whether there is any immediate chance of their becoming really civilised. "

I am at page 418 / 88%. Based on so far:
(view spoiler)
If Claudius is demonizing someone it is (view spoiler)

Graves may have been relying on ancient sources most historians would consider questionable.
A good deal of hostile gossip about her seems to have circulated in the Senatorial class, which was a big source for Suetonius, of course, but also for passages in Tacitus, who, typically, relies on innuendo. (One of my professors quoted a comment that Tacitus usually says slightly less than it absolutely necessary -- which leaves the reader free to make what he wants out of it.)
Graves also pointed out that Livia had married Augustus, while already pregnant with Tiberius, after being forcibly divorced from her first husband (And Augustus divorced his first wife to marry her: he may have wanted a spouse from the patrician Claudian extended family -- or clan -- to shore up his status among the aristocracy, and wasn't too particular about who it was.)
Her documented devotion to managing things on behalf of Tiberius is expanded by Graves to cover most adverse events in the lives (and deaths) of Augustus' other possible heirs. And the circumstantial evidence for their uniform "bad luck" is at least interesting.


My edition has an introduction by Allan Massie, and he suggests that Graves' portrayal of Livia was at least partly inspired by his very complicated relationship with the poet Laura Riding.
(I have just started this today and only read the introduction so far, but as I watched and loved the brilliant BBC series back in the day, I'm not really afraid of spoilers.)




+1

There is an easy way to find out. Based on the last approx 1½ year. I divided all non-short into spontaneous, group read and TBR.
Two findings:
23 spontaneous, 17 group, 18 TBR (even worse/more undisciplined than I though).
spontaneous averaged 3.39, group 3.7 and TBR 3.38.
So groups are doing a good job in picking books. The majority of group reads are from this group. The difference between 3.39 and 3.38 is too small to say that spontaneous is better.
I am going with the TBR list. Seriously, I have some almost embarrassing have-not-reads: Les Miserables, The Idiot Moby-Dick... and personally fro me a must-read Gödel, Escher, Bach: an Eternal Golden Braid. I would feel a lot more accomplishment of having read one of those than a spontaneous.
I've got Gödel, Escher, Bach: an Eternal Golden Braid on my Must Read list. I've read the first chapter a couple of times. Maybe this year.

25+ years ago I read most of the book skipping all the biology. 10 years ago I started again wanting to read all systematically. Now I am skip-reading through that part and will read the rest systematically.


I guess so. I tried googling a bit. But all references seem to be to the book. I also read the Wiki page
https://en.wikipedia.org/wiki/I,_Clau...
"Though the narrative is largely fictionalized, most of the events depicted are drawn from historical accounts ..."
It also has this interesting bit:
"George R. R. Martin, the author of The Song of Ice and Fire series, has spoken of how he was inspired by I, Claudius, in particular, central character Stannis Baratheon is partially based upon Tiberius Caesar,"
Meanwhile I have seen some of the Netflix docudrama about Caesar and Caligula. It features people dying from having molten gold purred over them and slaves being crucified along a road for every some meters.

I felt Graves did an incredibly good job, striking the fine balance between the different cultures. For example, Claudius's attitude towards women is if not modern, at least pretty advanced; on the other hand, he really believes in his ancient gods, rituals, and prophecies, even where it seems quite ridiculous to us.



I must confess I'm beginning to get bored with it. Those endless descriptions of battles. In fact, it is all description, description, description.
Books mentioned in this topic
Gödel, Escher, Bach: An Eternal Golden Braid (other topics)Gödel, Escher, Bach: An Eternal Golden Braid (other topics)
The Idiot (other topics)
Gödel, Escher, Bach: An Eternal Golden Braid (other topics)
Moby-Dick or, The Whale (other topics)
More...
Authors mentioned in this topic
Laura Riding (other topics)Allan Massie (other topics)
Henryk Sienkiewicz (other topics)
Robert Graves (other topics)
John Williams (other topics)
More...
This is the Spoiler thread.