College Students! discussion
Past Discussions of Group Reads
>
Classics


Let's go ahead and start Little Women, even if it's just us two, and people can snowball on in this and subsequent reads/months.



oh and I'm reading Les Miserables by Victor Hugo right now, and that's a classic. And way good. Maybe an upcoming month? I'd love to discuss it!


oh and I'm reading Les Miserables by Victor Hugo right now, and that's a classic. And way good. Maybe an upcoming month? I'd love to discuss it!"
I've been wanting to read Les Mis for some time, but it's so big I've been too intimidated to start it. Good luck, Michelle!

Little Women. I don't know that there is a more daunting book to review. I honestly considered not reviewing it at all, and I'm not going to make any promises that this review is going to make much sense. This book has been a favorite of young children ever since it was first published, and mothers read it to their daughters at bedtime even now. This book follows the March family, and tells the stories of the four March sisters, Meg, Jo, Beth, and Amy, as they grow from girls into women. Other characters include their ever-loving mother and role model, Mrs March, their saint of a father, and their good friends and neighbors Laurie and his grandfather.
The wide popularity of this book made me rather excited to start reading it. After the first couple pages, my impression was that this was just like any other quality children's book, and I looked forward to the rest of the story. But as the pages went by, I started to notice that the book dwelt quite a bit on the moral lessons that the sisters were learning than on things like characterization or plot. Now, I love a book with a moral as much as anyone. In my opinion, the best books don't just tell a story, they have something to say about the world in which we live. But I prefer my morals to be gathered from the plot, not stated right out in the open by the characters or, even worse, the narrator. Morals are one thing, being preached at is another entirely. Sadly, that is the route that this book takes. So often the plot is disrupted by a paragraph (or two, or three) of lecturing by Mrs March, one of the sisters, or the narrator. That's permissible every now and then, but it happened at least once a chapter, often more, and after a couple hundred pages it started to get pretty old. For awhile I honestly wasn't sure if I was going to make it through this book, but I kept on reading, thinking that there must be something worthwhile eventually, or it wouldn't have lasted this long. And, to my surprise, I was (mostly) right.
This is a book that gets steadily better as it goes. The first half, maybe more, is so focused on the moral upbringing of the girls that it often lets plot fall by the wayside. But towards the end of the book the girls start to grow up and find love and lives of their own, and the plot becomes more apparent. The moralizing never really goes away, but near the end of the book the plot takes over to a point that the preaching is alright.
Usually if a book is low on plot it makes up for it by being more character driven. You'd think that since the main focus of the book is how the girls learn to be good women that a character driven plot would fit it perfectly. Sadly, I found the characterization to be a bit lacking as well. Each of the girls filled a certain stereotype. Beth was the sweet shy one, Jo was the tomboy, Meg was a good girl who just wanted to be rich like her friends, and Amy was the spoiled little one who cared too much about the opinions of others. Beth learns to trust other people, Jo learns to calm her temper, Meg learns that being poor doesn't matter, and Amy learns to be a sweet little lady. Those just seemed like the most predictably stereotypical things that could ever happen to these cookie-cutter girls. The only one that I could even care about was Jo, and that is because she is, for quite a bit of the book, the focus, and because she resembled me the most out of all the girls. But doesn't every girl who reads this book say that?
***Spoilers This Paragraph***
For me, one of the faults of this book was when Beth died. I felt like the author never made Beth anything more than a perfectly sweet little girl, so it was hard to really feel sad when she was gone. She wasn't a real character to me, just a tool the author used to teach the other characters, especially Jo, a lesson in humility and kindness. That said, I think the book gets much better after she dies, if only because that's when things start happening in both Amy and Jo's lives. Now, I was secretly rooting for Laurie and Jo to end up together the whole time, so I was a bit disappointed when that didn't happen. But, as soon as Laurie showed up in Europe with Amy I knew what was going to happen. It was interesting to see how quickly Amy turned from a spoiled brat into a really lovely young lady, second in goodness only to Beth. I'd say that by the time they were together, Amy and Laurie were indeed a perfect match. But where does that leave Jo, I wondered? It's a bit late in the story to introduce a new character. But then in comes the professor to save her from spinsterhood. I wasn't really sure how I felt about that to begin with. How much older that her is he? But she was so happy in the end, with her professor and her big house full of boys, that I couldn't argue.
**End Spoilers**
The true beauty of this book was in the last chapter or so. Everyone goes into this book knowing that, in the end, everything is going to end up alright, so the sunny happy scene at the end of the last chapter should really come as no surprise. But somehow that ending, even though you're expecting it the whole time, really manages to ring true in a way that honestly surprised me. It leaves you feeling warm and peaceful, like everything is right with the world. I set out to finish the last part of this book just so I could review it and return it to the library once and for all, and even I smiled as I read that last page. The ending alone was enough to raise my rating a whole star.
All in all, though this book suffered from being too preachy and having rather stereotypical characters, I think that the intent of the book was good, and sometimes that really shines through, especially in the ending. I wouldn't read this book again, and I wouldn't necessarily recommend it to anyone in particular, but I'm still glad that I at least read it just this once. It may not have been the best book I've read all year, but it was, in a strange and unexplainable way, somehow worth reading.

L..."
Lori, such a great idea about the classics thread! There are so many classics sitting unread on my bookshelf that I have been meaning to pick up and read or reread - including Little Women.
Just a little aside... I noticed in a bookshop earlier today that there is new retelling of Little Women titled Little Vampire Women by Lynn Messina. Has anyone read this or any of the other recent retellings such as Pride and Prejudice and Zombies, Sense and Sensibility and Sea Monsters, Android Karenina etc.?

There's also a retelling called Little Women and Werewolves by Porter Grand that I think sounds really interesting, but I haven't read it yet, or any of the others.

Now that does sound interesting. I should check that out.
On a completely different topic, another problem I had with Little Women was the way it treated gender roles. I'm sure this is mostly because of when it was written, but there were so many times that it said something about how a woman's best job/role/happiness was in being a wife and mother. Now that's true for a lot of people, probably even most people, but it kind of annoyed me that that seems to be all that they could look forward to, like they lost a lot of the rest of their lives once they got married. *Mild Spoiler* Jo gave up her writing and Amy gave up her art. Now why did they need to do that? Couldn't Jo at least have kept on writing and been a great writer on top of being a happy wife and mother? *End Spoiler* I was especially expecting there to be some gender role related tension with Jo, but it never really happened. While I won't argue that they didn't end up happy, because they really did, it just seems to me like that could have been handled just a little bit better.



I'll throw out Moby Dick as a possibly next book.

What about The Hobbit by J.R.R. Tolkien?

and I definitely agree with Kayla. I don't think I can handle a big book in November. I have lots of concerts, recitals, and papers due that are going to be eating all of my time.





I'm definitely jealous of your American Lit class!




I have the same problem with Dickens! Something about his writing just doesn't work out for me for some reason. It's too bad really.

How do you guys feel about Shakespeare?? I personally love just about everything he's 'supposedly' written but I know some people have issues with the language. I know Julie Taymor just did a new movie version of the Tempest so I'd like to reread that one soon.


Actually, Amy and Jo didn't give up their arts... as you can find out in the last two books. In fact, Alcott wrote Jo in as a famous author! I highly recommend "Little Men" and "Jo's Boys" if you liked "Little Women"; they are in the same style.

How do you..."
I love classics but I am not a fan of Shakespeare at all. I always dreaded reading it in school.

Taming of the Shrew is pretty funny. One of my faves. 10 Things I Hate About You was a pretty good modern adaptation.


Since a bunch of books that fit the Spring/Summer Challenge 10.8 Must Read Books are considered classics, does anyone want to try to do a group read of one over the next month or two?
Here is a list of the titles on everyones task lists plus Nullifidian's suggestion:
Atonement by Ian McEwan
Howards End by EM Forster
Independent People by Halldor Laxness
Lady Chatterly’s Lover by DH Lawrence
Les Miserables by Victor Hugo
Perfume by Patrick Suskind
The Blind Assassin by Margaret Atwood
The God of Small Things by Arundhati Roy
The Poisonwood Bible by Barbara Kingsolver
I left off two that have already been group reads because they already have discussion threads.
Thoughts?
Atonement by Ian McEwan
Howards End by EM Forster
Independent People by Halldor Laxness
Lady Chatterly’s Lover by DH Lawrence
Les Miserables by Victor Hugo
Perfume by Patrick Suskind
The Blind Assassin by Margaret Atwood
The God of Small Things by Arundhati Roy
The Poisonwood Bible by Barbara Kingsolver
I left off two that have already been group reads because they already have discussion threads.
Thoughts?



Or The Count of Monte Cristo :)

Also, I blame you Kayla for putting yet another classic in my TBR pile. The Count of Monte Cristo sounds really good.
Books mentioned in this topic
The Master and Margarita (other topics)The Count of Monte Cristo (other topics)
A Christmas Carol (other topics)
A Christmas Carol (other topics)
Villette (other topics)
More...
Authors mentioned in this topic
Porter Grand (other topics)Lynn Messina (other topics)
Let's start a thread of reading a classic each month. It will be an informal discussion with no leader. It will be a place to share quotes and thoughts about classics and a place of encouragement because, let's face, some of those classics are scary looking and just knowing someone else in the world is reading it at the same time as you can be comforting.
If there's any interest, we'll start immediately with Little Women and toward the end of the month take a straw poll on what our next one should be.