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The Nightmare Fac...
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William Gibson
“And, for an instant, she stared directly into those soft blue eyes and knew, with an instinctive mammalian certainty, that the exceedingly rich were no longer even remotely human.”
William Gibson, Count Zero

Jon Padgett
“Houses dream, did you know that?” I asked the shock-haired boy who followed me, head bowed (perhaps in prayer). “All things dream, to one degree or another. And sometimes our waking selves share dreams of the darkened hollow, the deep forest, city squares. Like them, houses dream, and when those dreams are nightmares, we call them haunted. This is such a house.”
Jon Padgett, The Secret of Ventriloquism

Thomas Ligotti
“For optimists, human life never needs justification, no matter how much hurt piles up, because they can always tell themselves that things will get better. For pessimists, there is no amount of happiness—should such a thing as happiness even obtain for human beings except as a misconception—that can compensate us for life’s hurt. As a worst-case example, a pessimist might refer to the hurt caused by some natural or human-made cataclysm. To adduce a hedonic counterpart to the horrors that attach to such cataclysms would require a degree of ingenuity from an optimist, but it could be done. And the reason it could be done, the reason for the eternal stalemate between optimists and pessimists, is that no possible formula can be established to measure proportions and types of hurt and happiness in the world. If such a formula could be established, then either pessimists or optimists would have to give in to their adversaries.”
Thomas Ligotti, The Conspiracy Against the Human Race

Cormac McCarthy
“When the lambs is lost in the mountain, he said. They is cry. Sometime come the mother. Sometime the wolf.”
Cormac McCarthy, Blood Meridian, or, the Evening Redness in the West

Thomas Ligotti
“This, then, is the ultimate, that is only, consolation: simply that someone shares some of your own feelings and has made of these a work of art which you have the insight, sensitivity, and — like it or not — peculiar set of experiences to appreciate. Amazing thing to say, the consolation of horror in art is that it actually intensifies our panic, loudens it on the sounding-board of our horror-hollowed hearts, turns terror up full blast, all the while reaching for that perfect and deafening amplitude at which we may dance to the bizarre music of our own misery.”
Thomas Ligotti, The Nightmare Factory

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