Clemente

“Somethings wrong,’ he told her.
‘Be specific Jack,’ she said pressuring him.
Jack turned again to the desert. ‘We should already be dead,’ he said. ‘That’s what’s wrong.”
― A.R. Merrydew, The Girl with the Porcelain Lips

“Cada um de nós tem dentro de si alguma coisa que não pode ser negada, ainda que nos faça grita, gritar, até ao fim. Somos o que somos, e pronto. Como a velha lenda celta do pássaro com o espinho no peito que canta até morrer, porque precisa de fazê-lo, porque é levado a isso. Podemos saber que vamos errar até antes de cometermos o erro, mas o conhecimento de nós mesmos não afecta nem altera o resultado. Cada qual entoa o seu cântico, convencido de que é o mais maravilhoso que o mundo já ouviu. Não vês? Criámos os nossos espinhos e nunca nos detivemos para avaliar o custo. A única coisa que podemos fazer é sofrer a dor e dizer intimamente que valeu a pena.”
― Collen McCullough

“Minecraft”
― Jon Scieszka, Terrifying Tales

“I walked past Malison, up Lower Main to Main and across the road. I didn’t need to look to know he was behind me. I entered Royal Wood, went a short way along a path and waited. It was cool and dim beneath the trees. When Malison entered the Wood, I continued eastward. 
I wanted to place his body in hallowed ground. He was born a Mearan. The least I could do was send him to Loric. The distance between us closed until he was on my heels. He chose to come, I told myself, as if that lessened the crime I planned. He chose what I have to offer.
We were almost to the cemetery before he asked where we were going. I answered with another question. “Do you like living in the High Lord’s kitchens?”
He, of course, replied, “No.”
“Well, we’re going to a better place.”
When we reached the edge of the Wood, I pushed aside a branch to see the Temple of Loric and Calec’s cottage. No smoke was coming from the chimney, and I assumed the old man was yet abed. His pony was grazing in the field of graves. The sun hid behind a bank of clouds.
Malison moved beside me. “It’s a graveyard.”
“Are you afraid of ghosts?” I asked.
“My father’s a ghost,” he whispered.
I asked if he wanted to learn how to throw a knife. He said, “Yes,” as I knew he would.  He untucked his shirt, withdrew the knife he had stolen and gave it to me. It was a thick-bladed, single-edged knife, better suited for dicing celery than slitting a young throat. But it would serve my purpose. That I also knew. I’d spent all night projecting how the morning would unfold and, except for indulging in the tea, it had happened as I had imagined. 
Damut kissed her son farewell. Malison followed me of his own free will. Without fear, he placed the instrument of his death into my hand. We were at the appointed place, at the appointed time. The stolen knife was warm from the heat of his body. I had only to use it. Yet I hesitated, and again prayed for Sythene to show me a different path.
“Aren’t you going to show me?” Malison prompted, as if to echo my prayer.”
― K. Ritz, Sheever's Journal, Diary of a Poison Master