Charles Osborne
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“Pylades: I’ll take care of you.
Orestes: It’s rotten work.
Pylades: Not to me. Not if it’s you.”
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Orestes: It’s rotten work.
Pylades: Not to me. Not if it’s you.”
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“The White liberal is the worst enemy to America and the worst enemy to the Black man. Let me first explain what I mean by this White liberal. In America there’s no such thing as Democrats and Republicans anymore. That’s antiquated. In America you have liberals and conservatives. This is what the American political structure boils down to among Whites. The only people who are still living in the past and thinks in terms of “I’m a Democrat” or “I’m a Republican” is the American Negro. He’s the one who runs around bragging about party affiliation and he’s the one who sticks to the Democrat or sticks to the Republican, but White people in America are divided into two groups, liberals and Republicans…or rather, liberals and conservatives. And when you find White people vote in the political picture, they’re not divided in terms of Democrats and Republicans, they’re divided consistently as conservatives and as liberal. The Democrats who are conservative vote with Republicans who are conservative. Democrats who are liberals vote with Republicans who are liberals. You find this in Washington, DC. Now the White liberals aren’t White people who are for independence, who are liberal, who are moral, who are ethical in their thinking, they are just a faction of White people who are jockeying for power the same as the White conservatives are a faction of White people who are jockeying for power. Now they are fighting each other for booty, for power, for prestige and the one who is the football in the game is the Negro. Twenty million Black people in this country are a political football, a political pawn an economic football, an economic pawn, a social football, a social pawn...”
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“She was beautiful, but not like those girls in magazines. She was beautiful, for the way she thought. She was beautiful, for the sparkle in her eyes when she talked about something she loved. She was beautiful, for her ability to make other people smile, even if she was sad. No, she wasn't beautiful for something as temporary as her looks. She was beautiful, deep down to her soul. She is beautiful.”
― Butterflies and Bullshit
― Butterflies and Bullshit

“A moth goes into a podiatrist’s office, and the podiatrist’s office says, “What seems to be the problem, moth?”
The moth says “What’s the problem? Where do I begin, man? I go to work for Gregory Illinivich, and all day long I work. Honestly doc, I don’t even know what I’m doing anymore. I don’t even know if Gregory Illinivich knows. He only knows that he has power over me, and that seems to bring him happiness. But I don’t know, I wake up in a malaise, and I walk here and there… at night I…I sometimes wake up and I turn to some old lady in my bed that’s on my arm. A lady that I once loved, doc. I don’t know where to turn to. My youngest, Alexendria, she fell in the…in the cold of last year. The cold took her down, as it did many of us. And my other boy, and this is the hardest pill to swallow, doc. My other boy, Gregarro Ivinalititavitch… I no longer love him. As much as it pains me to say, when I look in his eyes, all I see is the same cowardice that I… that I catch when I take a glimpse of my own face in the mirror. If only I wasn’t such a coward, then perhaps…perhaps I could bring myself to reach over to that cocked and loaded gun that lays on the bedside behind me and end this hellish facade once and for all…Doc, sometimes I feel like a spider, even though I’m a moth, just barely hanging on to my web with an everlasting fire underneath me. I’m not feeling good. And so the doctor says, “Moth, man, you’re troubled. But you should be seeing a psychiatrist. Why on earth did you come here?”
And the moth says, “‘Cause the light was on.”
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The moth says “What’s the problem? Where do I begin, man? I go to work for Gregory Illinivich, and all day long I work. Honestly doc, I don’t even know what I’m doing anymore. I don’t even know if Gregory Illinivich knows. He only knows that he has power over me, and that seems to bring him happiness. But I don’t know, I wake up in a malaise, and I walk here and there… at night I…I sometimes wake up and I turn to some old lady in my bed that’s on my arm. A lady that I once loved, doc. I don’t know where to turn to. My youngest, Alexendria, she fell in the…in the cold of last year. The cold took her down, as it did many of us. And my other boy, and this is the hardest pill to swallow, doc. My other boy, Gregarro Ivinalititavitch… I no longer love him. As much as it pains me to say, when I look in his eyes, all I see is the same cowardice that I… that I catch when I take a glimpse of my own face in the mirror. If only I wasn’t such a coward, then perhaps…perhaps I could bring myself to reach over to that cocked and loaded gun that lays on the bedside behind me and end this hellish facade once and for all…Doc, sometimes I feel like a spider, even though I’m a moth, just barely hanging on to my web with an everlasting fire underneath me. I’m not feeling good. And so the doctor says, “Moth, man, you’re troubled. But you should be seeing a psychiatrist. Why on earth did you come here?”
And the moth says, “‘Cause the light was on.”
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“What is my perfect crime? I break into Tiffany's at midnight. Do I go for the vault? No, I go for the chandelier. It's priceless. As I'm taking it down, a woman catches me. She tells me to stop. It's her father's business. She's Tiffany. I say no. We make love all night. In the morning, the cops come and I escape in one of their uniforms. I tell her to meet me in Mexico, but I go to Canada. I don't trust her. Besides, I like the cold. Thirty years later, I get a postcard. I have a son and he's the chief of police. This is where the story gets interesting. I tell Tiffany to meet me by the Trocadero in Paris. She's been waiting for me all these years. She's never taken another lover. I don't care. I don't show up. I go to Berlin. That's where I stashed the chandelier.”
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