Loree Graff

“Raya knew this type of girl – they never liked her. Usually they’d make fun of her, behind her back, but loud enough for her to hear. She was too alternative, too poor and too cynical – the foster kid – to be of any interest to these social climbers.”
― Sara Pascoe, Being a Witch, and Other Things I Didn't Ask For

“Once the process of falsification is set in motion, it won't stop. We're in a country where everything that can be falsified has been falsified: paintings in museums, gold ingots, bus tickets. The counterrevolution and the revolution fight with salvos of falsification: the result is that nobody can be sure what is true and what is false, the political police simulate revolutionary actions and the revolutionaries disguise themselves as policemen."

And who gains by it, in the end?"

It's too soon to say. We have to see who can best exploit the falsifications, their own and those of the others: whether it's the police or our organization."

The taxi driver is pricking up his ears. You motion Corinna to restrain herself from making unwise remarks.

But she says, "Don't be afraid. This is a fake taxi. What really alarms me, though, is that there is another taxi following us."

Fake or real?"

Fake, certainly, but I don't know whether it belongs to the police or to us.”
― Italo Calvino, If on a Winter’s Night a Traveler

“Chaque vérité éternelle existe en double, en multiples exemplaires.”
― Robert Musil, The Man Without Qualities

“Parzival 110,000 highscore”
― Ernest Cline, Ready Player One