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Humanimal: How Ho...
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Lucia Berlin
“Time stops when someone dies. Of course it stops for them, maybe, but for the mourners time runs amok. Death comes too soon. It forgets the tides, the days growing longer and shorter, the moon. It rips up the calendar. You aren't at your desk or on the subway or fixing dinner for the children. You're reading People in a surgery waiting room, or shivering outside on a balcony smoking all night long. you stare into space, sitting in your childhood bedroom with the lobe on the desk... The bad part is that when you return to your ordinary life all the routines, the marks of the day, seem like senseless lies. all is suspect, a trick to lull us, rock us back into the placid relentlessness of time.”
Lucia Berlin, A Manual for Cleaning Women: Selected Stories

Paulo Freire
“How can I enter into dialogue if I always project ignorance onto others and never perceive my own?...How can I enter into dialogue if I am closed to - and even offended by - the contribution of others? At the point of encounter there are neither yet ignoramuses nor perfect sages; there are only people who are attempting, together, to learn more than they now know.”
Paulo Freire, Pedagogy of the Oppressed

Ray Bradbury
“Yell. Jump. Play. Out-run those sons-of-bitches. They'll never live the way you live. Go do it.”
Ray Bradbury, Zen in the Art of Writing: Releasing the Creative Genius Within You

Ernest Hemingway
“The world breaks everyone and afterward many are strong at the broken places. But those that will not break it kills. It kills the very good and the very gentle and the very brave impartially. If you are none of these you can be sure it will kill you too but there will be no special hurry.”
Ernest Hemingway, A Farewell to Arms

Ray Bradbury
“Read poetry every day of your life. Poetry is good because it flexes muscles you don’t use often enough. Poetry expands the senses and keeps them in prime condition. It keeps you aware of your nose, your eye, your ear, your tongue, your hand.
And, above all, poetry is compacted metaphor or simile. Such metaphors, like Japanese paper flowers, may expand outward into gigantic shapes. Ideas lie everywhere through the poetry books, yet how rarely have I heard short story teachers recommending them for browsing.

What poetry? Any poetry that makes your hair stand up along your arms. Don’t force yourself too hard. Take it easy. Over the years you may catch up to, move even with, and pass T. S. Eliot on your way to other pastures. You say you don’t understand Dylan Thomas? Yes, but your ganglion does, and your secret wits, and all your unborn children. Read him, as you can read a horse with your eyes, set free and charging over an endless green meadow on a windy day.”
Ray Bradbury, Zen in the Art of Writing: Releasing the Creative Genius Within You

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