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Manish Kamble
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read in February 2022
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"Urrh, what a pain. There is no clarity in writing, felt like a sentence is been dragged to paragraphs and then to pages. Few passages makes little to no sense, and whatever looks sensible is meager ordinary in philosophical introspect. Such a dim read." — Aug 09, 2025 03:30PM
"Urrh, what a pain. There is no clarity in writing, felt like a sentence is been dragged to paragraphs and then to pages. Few passages makes little to no sense, and whatever looks sensible is meager ordinary in philosophical introspect. Such a dim read." — Aug 09, 2025 03:30PM


“I want to leave
no one behind.
To keep&
be kept.
The way a field turns
its secrets
into peonies.
The way light
keeps its shadow
by swallowing it.”
― Night Sky with Exit Wounds
no one behind.
To keep&
be kept.
The way a field turns
its secrets
into peonies.
The way light
keeps its shadow
by swallowing it.”
― Night Sky with Exit Wounds

“She had what's known as inner life and didn't know it. She lived off herself as if eating her own entrails. When she went to work she looked like a gentle lunatic because as the bus went along she daydreamed in loud and dazzling dreams. These dreams, because of all that interiority, were empty because they lacked the essential nucelus of—of ecstasy, let's say. Most of the time she had without realizing it the void that fills the souls of the saints. Was she a saint? So it seems. She didn't know what she was meditating because she didn't know what the word meant. But it seems to me that her life was a long meditation on the nothing. Except she needed others in order to believe in herself, otherwise she'd get lost in the successive and round emptiness inside her. She meditated while she was typing and that's why she made even more mistakes.”
― The Hour of the Star
― The Hour of the Star

“To Himself"
So you've come to me now without knowing why;
Nor why you sit in the ruby plush of an ugly chair, the sly
Revealing angle of light turning your hair a silver gray;
Nor why you have chosen this moment to set the writing of years
Against the writing of nothing; you who narrowed your eyes,
Peering into the polished air of the hallway mirror, and said
You were mine, all mine; who begged me to write, but always
Of course to you, without ever saying what it was for;
Who used to whisper in my ear only the things
You wanted to hear; who comes to me now and says
That it's late, that the trees are bending under the wind,
That night will fall; as if there were something
You wanted to know, but for years had forgotten to ask,
Something to do with sunlight slanting over a table
And chair, an arm rising, a face turning, and far
In the distance a car disappearing over the hill.
Mark Strand, Collected Poems. (Knopf; First Edition edition September 30, 2014)”
― Collected Poems
So you've come to me now without knowing why;
Nor why you sit in the ruby plush of an ugly chair, the sly
Revealing angle of light turning your hair a silver gray;
Nor why you have chosen this moment to set the writing of years
Against the writing of nothing; you who narrowed your eyes,
Peering into the polished air of the hallway mirror, and said
You were mine, all mine; who begged me to write, but always
Of course to you, without ever saying what it was for;
Who used to whisper in my ear only the things
You wanted to hear; who comes to me now and says
That it's late, that the trees are bending under the wind,
That night will fall; as if there were something
You wanted to know, but for years had forgotten to ask,
Something to do with sunlight slanting over a table
And chair, an arm rising, a face turning, and far
In the distance a car disappearing over the hill.
Mark Strand, Collected Poems. (Knopf; First Edition edition September 30, 2014)”
― Collected Poems

“The Buried Melancholy of the Poet"
One summer when he was still young he stood at the window and wondered where they had gone, those women who sat by the ocean, watching, waiting for something that would never arrive, the wind light against their skin, sending loose strands of hair across their lips. From what season had they fallen, from what idea of grace had they strayed? It was long since he had seen them in their lonely splendor, heavy in their idleness, enacting the sad story of hope abandoned. This was the summer he wandered out into the miraculous night, into the sea of dark, as if for the first time, to shed his own light, but what he shed was the dark, what he found was the night.”
― Almost Invisible: Poems
One summer when he was still young he stood at the window and wondered where they had gone, those women who sat by the ocean, watching, waiting for something that would never arrive, the wind light against their skin, sending loose strands of hair across their lips. From what season had they fallen, from what idea of grace had they strayed? It was long since he had seen them in their lonely splendor, heavy in their idleness, enacting the sad story of hope abandoned. This was the summer he wandered out into the miraculous night, into the sea of dark, as if for the first time, to shed his own light, but what he shed was the dark, what he found was the night.”
― Almost Invisible: Poems

“I wanted to go on an immense journey, to travel night and day into the unknown until, forgetting my old self, I came into possession of a new self, one that I might have missed on my previous travels. But the first step was beyond me. I lay in bed, unable to move, pondering, as one does at my age, the ways of melancholy—how it seeps into the spirit, how it disincarnates the will, how it banishes the senses to the chill of twilight, how even the best and worst intentions wither in its keep. I kept staring at the ceiling, then suddenly felt a blast of cold air, and I was gone.
— Mark Strand, “When I turned A Hundred,” Collected Poems. ( Knopf, 2014)”
― Collected Poems
— Mark Strand, “When I turned A Hundred,” Collected Poems. ( Knopf, 2014)”
― Collected Poems

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