Miña

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Susan Sontag
“Images shown on television are by definition images of which, sooner or later, one tires. What looks like callousness has its origin in the instability of attention that television is organized to arouse and to satiate by its surfeit of images. Image-glut keeps attention light, mobile, relatively indifferent to content. Image-flow precludes a privileged image. The whole point of television is that one can switch channels, that it is normal to switch channels, to become restless, bored. Consumers droop. They need to be stimulated, jump-started, again and again. Content is no more than one of these stimulants. A more reflective engagement with content would require a certain intensity of awareness—just what is weakened by the expectations brought to images disseminated by the media, whose leaching out of content contributes most to the deadening of feeling.”
Susan Sontag, Regarding the Pain of Others

Patti Smith
“Images have their way of dissolving and then abruptly returning, pulling along the joy and pain attached to them like tin cans rattling from the back of an old-fashioned wedding vehicle.”
Patti Smith, M Train

Susan Sontag
“No "we" should be taken for granted when the subject is looking at other people's pain.”
Susan Sontag, Regarding the Pain of Others

Susan Sontag
“To speak of reality becoming a spectacle is a breathtaking provincialism. It universalizes the viewing habits of a small, educated population living in the rich part of the world, where news has been converted into entertainment—that mature style of viewing which is a prime acquisition of "the modern," and a prerequisite for demanding traditional forms of party-based politics that offer real disagreement and debate. It assumes that everyone is a spectator. It suggests, perversely, unseriously, that there is no real suffering in the world. But it is absurd to identify the world with those zones in the well-off countries where people have the dubious privilege of being spectators, or of declining to be spectators, of other people's pain, just as it is absurd to generalize about the ability to respond to the sufferings of others on the basis of the mind-set of those consumers of news who know nothing at first hand about war and massive injustice and terror. There are hundreds of millions of television watchers who are far from inured to what they see on television. They do not have the luxury of patronizing reality.”
Susan Sontag, Regarding the Pain of Others

Albert Camus
“C’est alors que tout a vacillé. La mer a charrié
un souffle épais et ardent. Il m’a semblé que le ciel s’ouvrait sur
toute son étendue pour laisser pleuvoir du feu. Tout mon être
s’est tendu et j’ai crispé ma main sur le revolver. La gâchette a
cédé, j’ai touché le ventre poli de la crosse et c’est là, dans le
bruit à la fois sec et assourdissant, que tout a commencé. J’ai
secoué la sueur et le soleil. J’ai compris que j’avais détruit
l’équilibre du jour, le silence exceptionnel d’une plage où j’avais
été heureux. Alors, j’ai tiré encore quatre fois sur un corps inerte où les balles s’enfonçaient sans qu’il y parût. Et c’était comme
quatre coups brefs que je frappais sur la porte du malheur”
Albert Camus, The Stranger
tags: crime

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