

“Tiny details imperceptible to us decide everything!”
― Vertigo
― Vertigo

“When men see Han-shan
They all say he's crazy
And not much to look at -
Dressed in rags and hides.
They don't get what I say
And I don't talk their language.
All I can say to those I meet:
"Try and make it to Cold Mountain.”
― Riprap and Cold Mountain Poems
They all say he's crazy
And not much to look at -
Dressed in rags and hides.
They don't get what I say
And I don't talk their language.
All I can say to those I meet:
"Try and make it to Cold Mountain.”
― Riprap and Cold Mountain Poems

“Too many poets act like a middle-aged mother trying to get her kids to eat too much cooked meat, and potatoes with drippings (tears). I don't give a damn whether they eat or not. Forced feeding leads to excessive thinness (effete). Nobody should experience anything they don't need to, if they don't need poetry bully for them. I like the movies too. And after all, only Whitman and Crane and Williams, of the American poets, are better than the movies.”
―
―

“My Dolphin, you only guide me by surprise,
a captive as Racine, the man of craft,
drawn through his maze of iron composition
by the incomparable wandering voice of Phèdre.
When I was troubled in mind, you made for my body
caught in its hangman's-knot of sinking lines,
the glassy bowing and scraping of my will. . . .
I have sat and listened to too many
words of the collaborating muse,
and plotted perhaps too freely with my life,
not avoiding injury to others,
not avoiding injury to myself--
to ask compassion . . . this book, half fiction,
an eelnet made by man for the eel fighting
my eyes have seen what my hand did.”
―
a captive as Racine, the man of craft,
drawn through his maze of iron composition
by the incomparable wandering voice of Phèdre.
When I was troubled in mind, you made for my body
caught in its hangman's-knot of sinking lines,
the glassy bowing and scraping of my will. . . .
I have sat and listened to too many
words of the collaborating muse,
and plotted perhaps too freely with my life,
not avoiding injury to others,
not avoiding injury to myself--
to ask compassion . . . this book, half fiction,
an eelnet made by man for the eel fighting
my eyes have seen what my hand did.”
―

“That's one of the central problems of history, isn't it, sir? The question of subjective versus objective interpretation, the fact that we need to know the history of the historian in order to understand the version that is being put in front of us.”
― The Sense of an Ending
― The Sense of an Ending

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